>>>Nothing further for now. Great work, as always. (And I really enjoyed
>More data than you probably wanted, but what the hell.

Actually, it does help. It makes the location of it in the story make MORE sense. It's the music for Utena coming to a duel. whether flying up to the clouds or walking through a crowd, it's still Entrance Music.

>Unsurprising... the show is so rich in odd imagery and curious
>psychosexual background noise that its fandom contains a
>higher-than-usual percentage of total warpos. :)

....Damn you to Hell, Benjamin Donald Hutchins!! Now you're making me want to go into Manhattan on Saturday and get the entire series! And watch it in a sitting, like I did with Evangelion (minus the movies).

Arrrrrrrrrg... and I just pre-ordered all the Big O stuff, too.... this may hurt.

>Heh. All of Seazer's choral arrangements (there's one in the
>background of almost every duel, in addition to 'Zettai' playing
>before each one) are like that - they have lyrics which are evocative
>on a kind of visceral level, but don't make any actual sense.
>:)

I've never heard of the guy before. I think I may want to pick up some more stuff he's composed, if I can find it. It's sufficiently off-beat in that PDQ Bach way.

--
Geoff Depew - Mephron
Haberdasher to Androids, Malakite of Lightning and Angel of Tech Support Professionals
(They won't give me LARTs, they say that's restricted to Michael.)