>However, all that is very much a matter for the internal monologue,
>and as such probably doesn't need to be dealt with on screen. I tried
>to work parts of that conversation into the narrative in several spots
>and it just didn't work—bogged everything down and wasn't
>resolvable at the point where it came up anyway, so it didn't help
>anything.
>
>This story had a bunch of things like that, in fact. I don't usually
>make that many large cuts or redirects while working, but the scraps
>file for TTW has a bunch of false starts and
>hang-on-where-the-hell-is-this-even-going scene fragments, not all of
>them relating to the above. It was a narrative that sometimes had a
>hard time working out what it was trying to do, at the same time that
>it was explosively insisting that it do something. Really
>quite an odd creative experience by my standards, although it was
>interesting, and I'm pleased with the end result.
>

Makes sense as to why some conversations weren't included, but I can't help but find it a shame to not have seen G explaining who and what and when and why he is, and more potentially amusingly Remilia's reactions to all of that. She'd already shown several flashes of incredulity about him, and while the non-standard circumstances of her own life, and no doubt the word of Sakuya, would help her eventually take it all on board the process seems like it'd be amusing, for an observer at least.

	-={(Astynax)}=- "Oh no, I've gone cross-eyed."