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Subject: "Gallian Gothic thought vis-a-vis Jonathan Scott"     Previous Topic | Next Topic
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Conferences Our Witches at War/Gallian Gothic Topic #101
Reading Topic #101
goldenfire
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496 posts
Nov-01-20, 11:55 PM (EST)
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"Gallian Gothic thought vis-a-vis Jonathan Scott"
 
   I enjoyed his concert yesterday (10/31), especially closing on Danse Macabre (long one of my favorite spooky-ish classical pieces, although La Ronde des Lutins is still first place).

It did make me wonder what Remilia would think of it, especially such an organ arrangement of it. Given the relative 'recentness' of its composition (1874, according to wikipedia) given the GG timeline (assuming Saint-Saëns is the same across universes, to even begin with). Of course, I semi-doubt if she's even familiar with the orchestral/original version, given that she's been largely a shut-in since...well before then.



==Jeremy
And who exactly is this diabolical 'they' to which we keep referring? If there's some grand conspiracy going on, the right hand doesn't appear to know what the left is doing. --Raziel (Soul Reaver II)


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  Subject     Author     Message Date     ID  
  RE: Gallian Gothic thought vis-a-vis Jonathan Scott Gryphonadmin Nov-02-20 1
     RE: Gallian Gothic thought vis-a-vis Jonathan Scott goldenfire Nov-02-20 2
         RE: Gallian Gothic thought vis-a-vis Jonathan Scott Gryphonadmin Nov-04-20 6
     RE: Gallian Gothic thought vis-a-vis Jonathan Scott Zemyla Nov-02-20 3
         RE: Gallian Gothic thought vis-a-vis Jonathan Scott BZArchermoderator Nov-02-20 4
         RE: Gallian Gothic thought vis-a-vis Jonathan Scott SpottedKitty Nov-02-20 5
             RE: Gallian Gothic thought vis-a-vis Jonathan Scott Gryphonadmin Nov-04-20 7

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Gryphonadmin
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20714 posts
Nov-02-20, 00:24 AM (EST)
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1. "RE: Gallian Gothic thought vis-a-vis Jonathan Scott"
In response to message #0
 
   >I enjoyed his concert yesterday (10/31), especially closing on Danse
>Macabre (long one of my favorite spooky-ish classical pieces, although
>La Ronde des Lutins is still first place).

Fun fact: that's the third version of Danse Macabre the Scott Brothers have recorded! They've also done a four-hands piano duet and a harmonium/piano duet (the latter of which is BGM for the fight scene in TTW Act V).

>It did make me wonder what Remilia would think of it, especially such
>an organ arrangement of it. Given the relative 'recentness' of its
>composition (1874, according to wikipedia) given the GG timeline
>(assuming Saint-Saëns is the same across universes, to even begin
>with). Of course, I semi-doubt if she's even familiar with the
>orchestral/original version, given that she's been largely a shut-in
>since...well before then.

Mm, she will have just missed it, because Sakuya disappeared in 1870. Before then, she was in the habit of occasionally venturing out to pick up various things, including new music and musical supplies (such as the accordion she bought in Paris in the 1830s), so she might have brought home a copy if it had been available. Afterward, Remilia never went out and stopped using the music room.

As such, she's never heard it, but it's one of G's favorite classical (well, technically Romantic) pieces, so she's certain to be exposed to it sooner or later, and I expect she'll enjoy it. It has a lot of dark whimsy about it, and in certain of her moods, Remilia Scarlet is all about dark whimsy. :)

--G.
-><-
Benjamin D. Hutchins, Co-Founder, Editor-in-Chief, & Forum Mod
Eyrie Productions, Unlimited http://www.eyrie-productions.com/
zgryphon at that email service Google has
Ceterum censeo Carthaginem esse delendam.


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goldenfire
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496 posts
Nov-02-20, 08:50 AM (EST)
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2. "RE: Gallian Gothic thought vis-a-vis Jonathan Scott"
In response to message #1
 
   >Fun fact: that's the third version of Danse Macabre the Scott Brothers
>have recorded! They've also done a four-hands piano duet and a
>harmonium/piano duet (the latter of which is BGM for the fight scene
>in TTW Act V).

I have to admit, I mostly concentrate on the organ stuff. Personal taste and whatnot.


>Mm, she will have just missed it, because Sakuya disappeared in
>1870. Before then, she was in the habit of occasionally venturing out
>to pick up various things, including new music and musical supplies
>(such as the accordion she bought in Paris in the 1830s), so she might
>have brought home a copy if it had been available. Afterward, Remilia
>never went out and stopped using the music room.

I hadn't realized the timeline was that close -- I guess I mentally misplaced exactly when Sakuya disappeared (and, thus, Remilia actually stopped going out)

>As such, she's never heard it, but it's one of G's favorite classical
>(well, technically Romantic) pieces, so she's certain to be exposed to
>it sooner or later, and I expect she'll enjoy it. It has a lot of
>dark whimsy about it, and in certain of her moods, Remilia Scarlet is
>all about dark whimsy. :)

I have this nagging feeling that *most* organ players are struck by 'dark whimsy' on occasion...if for no other reason than because they regularly *play a building*.



==Jeremy
And who exactly is this diabolical 'they' to which we keep referring? If there's some grand conspiracy going on, the right hand doesn't appear to know what the left is doing. --Raziel (Soul Reaver II)


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Gryphonadmin
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20714 posts
Nov-04-20, 07:21 PM (EST)
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6. "RE: Gallian Gothic thought vis-a-vis Jonathan Scott"
In response to message #2
 
   >I hadn't realized the timeline was that close -- I guess I mentally
>misplaced exactly when Sakuya disappeared (and, thus, Remilia actually
>stopped going out)

Remilia herself rarely, if ever, left the house after the 10th of Flor&3acute;al, partly because she didn't dare in case Flandre acted up (since she was the only person left in the house who even had a prayer of controlling her), but mostly because she wanted nothing further to do with the outside world and its revolutionary fanatics. It was always Sakuya who ventured out, in an effort to bring back at least a few things that might brighten life in the ruins a bit (and keep at least vaguely current about what was going on).

Still, that meant that when Sakuya disappeared, Remilia lost virtually all of what little contact with the outside remained. Not that she ever really noticed, or would acknowledge, that she missed it before G came along.

--G.
-><-
Benjamin D. Hutchins, Co-Founder, Editor-in-Chief, & Forum Mod
Eyrie Productions, Unlimited http://www.eyrie-productions.com/
zgryphon at that email service Google has
Ceterum censeo Carthaginem esse delendam.


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Zemyla
Member since Mar-26-08
206 posts
Nov-02-20, 09:56 AM (EST)
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3. "RE: Gallian Gothic thought vis-a-vis Jonathan Scott"
In response to message #1
 
   >As such, she's never heard it, but it's one of G's favorite classical
>(well, technically Romantic) pieces, so she's certain to be exposed to
>it sooner or later, and I expect she'll enjoy it. It has a lot of
>dark whimsy about it, and in certain of her moods, Remilia Scarlet is
>all about dark whimsy. :)

I'm surprised he hasn't shown it to her already with his omnitool. She's seen it before, and the only other person in the mansion who isn't a time traveler is Flandre, who has the fantastic mental flexibility of the recently-mad to help her handle it. And if he doesn't want to play directly from the tool, he could certainly use it to fabricate records for the player.

I know he seems to be viewing 1946 as sort of a "challenge run", where he doesn't use any anachronistic tech unless absolutely necessary, but surely there's some part of him who wants to fill the Scarlet Mansion with the sounds of his daughter's band rocking out.


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BZArchermoderator
Member since Nov-9-05
1724 posts
Nov-02-20, 11:38 AM (EST)
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4. "RE: Gallian Gothic thought vis-a-vis Jonathan Scott"
In response to message #3
 
   Keep in mind Remilia is still absorbing quite a bit of temporal culture shock even in regards to 1946, let alone G's native timeframe.

Slow and steady progression is probably the best way to go.

---------------------------
Jaymie "BZArcher" Wagner
She/Her/Hers
@BZArcher / bzarcher at gmail
"Life is change. Let’s live.”


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SpottedKitty
Member since Jun-15-04
599 posts
Nov-02-20, 12:15 PM (EST)
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5. "RE: Gallian Gothic thought vis-a-vis Jonathan Scott"
In response to message #3
 
   >I know he seems to be viewing 1946 as sort of a "challenge run", where
>he doesn't use any anachronistic tech unless absolutely necessary, but
>surely there's some part of him who wants to fill the Scarlet Mansion
>with the sounds of his daughter's band rocking out.

That's a wonderfully funny mental image you just gave me. A pity Lena wasn't able to accelerate healing on her leg, she would probably have wanted to show off more modern dance moves to go with the music.

Come to think of it, are Glen Miller and similar bands still A Thing in this timeline? There ought to be a record shop in Colmar that could be visited for the next supply run.

--
Unable to save the day: File is read-only.


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Gryphonadmin
Charter Member
20714 posts
Nov-04-20, 07:26 PM (EST)
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7. "RE: Gallian Gothic thought vis-a-vis Jonathan Scott"
In response to message #5
 
   >Come to think of it, are Glen Miller and similar bands still A Thing
>in this timeline? There ought to be a record shop in Colmar that could
>be visited for the next supply run.

Oh yes. As a matter of fact, G was on his way back to St-Ulrich from a shopping trip to Colmar for exactly that. Along with a few books and other odds and ends, he bought all those Ink Spots records they spend most of TTW listening to on that trip.

--G.
-><-
Benjamin D. Hutchins, Co-Founder, Editor-in-Chief, & Forum Mod
Eyrie Productions, Unlimited http://www.eyrie-productions.com/
zgryphon at that email service Google has
Ceterum censeo Carthaginem esse delendam.


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