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Subject: "Ghostbusters 2016" Archived thread - Read only
 
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Mercutio
Member since May-26-13
942 posts
Jul-15-16, 11:32 PM (EDT)
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"Ghostbusters 2016"
 
   Starting a thread on a just-released movie the same day it comes out is probably a losing proposition, but what the hell. Spoilers people, you know the drill.

So they remade Ghostbusters. Or, well, this isn't a remake; it's a reboot. A remake has to have the same plot and characters for the most part (see: True Grit, Ocean's 11) and this really doesn't.

Pros: It really is pretty goddamn funny. I was laughing constantly, loud, genuine, from-the-gut laughing.

Kate McKinnon as Jillian Holtzmann is the best thing to happen to the franchise since JMS was made head writer of The Real Ghostbusters. She's fucking delightful on every level and steals every single scene she is in. The woman radiates screen presence out of every pore.

Chris Hemsworth has surprising comedic range. Also, he's surprisingly small when he hasn't spent six months power-bulking to play Thor.

The fact that they cannot afford an enormous, classically designed fire station in lower Manhattan as shoestring paranormal investigators n 2016 is handled delightfully. Indeed, Act I is amazingly strongly constructed, keeping the same general beats as the first movie but hitting them in fresh new ways such that you're legitimately wondering what's happening next rather than simply knowing. (With some exceptions. Like, obviously at some point the experimental ghost-restraining device Holtzmann is working on is going to turn into a proton pack.)

The cameos from the old cast were quite nice and not overdone. They even got Murray, who has been resolutely refusing to sign onto Ghostbusters 3 for over a decade but was happy to take a bit part in this. The best one, by far, is Sigourney Weaver, who crosses the line from "oh, ha ha, nice cameo" to "I want very much to know more about you and your advice for building containment units, science lady."

Cons: While I was laughing a lot, I can't now remember very many of the lines I was actually laughing at. That's worrisome; usually with comedies that have legs you can do that.

Erin, Patty, and Abi, the other three new Ghostbusters, are somewhat... flat. Especially compared to Holtzmann. I realize that not every ensemble cast can catch on fire. Still, tho.

The plot is oddly slight, despite having more of one than either of the first two did. The first Ghostbusters movie was very nearly a slice-of-life film about a group of friends who just happened to catch ghosts for a living; it scattered understated hints that there was some big threat but didn't bust it out until Act III. This one moves right to a mastermind plotting big plots re: ghosts.

It decided to have a climactic fight scene. This was... ill-advised. I don't have a lot of interest in watching the Ghostbusters literally punch CGI ghosts for about ten minutes while hurling grenades and tossing off action-movie one-liners. That's not how Zuul and Vigo were taken down. (Really, Vigo's defeat was a nearly pitch-perfect demonstration of how the Ghostbusters are humanistic scientists, not warriors, and do not simply zap-and-trap their way out of their problems.)

There are a bunch more things I could stick in the cons column, but they're very... ticky-tacky. They add up, though. I would say this is a good movie, but not a great one. It's worth the price of admission, certainly.

As I said elsewhere, I'm a little bit surprised they didn't simply make this Ghostbusters 3 and be done with it. That would have required maybe two pages worth of script changes to be perfectly all right. And it would have opened up other potential changes as well. I would have loved to have seen Annie Potts mentoring these four as a senior Ghostbuster, for example. (Shut up, Jeanine is totally a Ghostbuster.)

It also would have avoided the problem with remaking a classic that's aged well, which is that the standards are much different than simply making a sequel or a franchise spin-off. They're much higher; you really have to knock it out of the park. This would have been "damn good" as Ghostbusters 3; as Ghostbusters 2016, it's merely okay-to-good.

-Merc
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  Subject     Author     Message Date     ID  
  RE: Ghostbusters 2016 Kendra Kirai Jul-17-16 1
     RE: Ghostbusters 2016 Mercutio Jul-17-16 2
         RE: Ghostbusters 2016 Kendra Kirai Jul-17-16 3
             RE: Ghostbusters 2016 CdrMike Jul-18-16 4
                 RE: Ghostbusters 2016 Kendra Kirai Jul-18-16 5
  RE: Ghostbusters 2016 SmkViper Jul-18-16 6
  RE: Ghostbusters 2016 Peter Eng Jul-25-16 7
     RE: Ghostbusters 2016 Pasha Jul-25-16 8
         RE: Ghostbusters 2016 Peter Eng Jul-25-16 9
     RE: Ghostbusters 2016 Peter Eng Aug-02-16 10
         RE: Ghostbusters 2016 Kendra Kirai Aug-02-16 11

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Kendra Kirai
Member since May-22-16
587 posts
Jul-17-16, 07:07 AM (EDT)
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1. "RE: Ghostbusters 2016"
In response to message #0
 
   I saw it tonight, and I thought it was.....*okay*.

I chuckled a few times, but that was it.

Kevin was somewhat infuriating. Especially since he was clearly positioned to be a combination counterpart to Janine and Dana. Reboot or not, to compare EITHER of those to the idiot man-candy that is Kevin is just....disgusting.

I've heard that they basically blackmailed Murray into being in the movie, but, they got more effort out of him for his two scenes than they managed to get for the entire Ghostbusters video game, so maybe blackmail works.

The 'For Harold Ramis' at the very end of the credits made me angry. If it was FOR him, why did they push it through like two seconds after he died?

The best and funniest parts of the movie were, for me, with no joke, at and during the end credits.

"It sends them somewhere, I don't know where, but I think it may be Michigan."
And the whole dance number.

.....they caught one ghost. And they let THAT one go. I guess proton streams just up and 'kill' ghosts now? And why were ghosts falling to the ground in heaps, hitting cars, and such with very solid thuds?

And how did guy from the mansion get out of the basement alive? Or AT ALL considering the stairs were destroyed and he was last seen dangling from one arm?

The movie desperately needed a montage to show time was actually passing, because it looked like the whole movie took place over the course of MAYBE three days.

Holtzmann was probably the best character, yes. But there didn't really feel like there was any real CHEMISTRY in the group. They were characters, it wasn't an...*ensemble*. Egon was always my favorite, but you needed the whole TEAM to get the proper....experience, I guess is the word I'm looking for?

You needed the brains, the heart, the con...distinct personalities and viewpoints. ....I'm not sure why Patty was there at all except they needed 'a black one'. The only things she seemed to add were black lady sass and trivia they could have gotten from Wikipedia.

Kevin's insistence that he was 'born to be a ghostbuster' came out of nowhere. Did they slice like fifteen minutes of his scenes or something? He showed zero interest in anything they were doing OR his supposed job before, or after, that moment.

.....I didn't like the movie very much.


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Mercutio
Member since May-26-13
942 posts
Jul-17-16, 12:04 PM (EDT)
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2. "RE: Ghostbusters 2016"
In response to message #1
 
   >The 'For Harold Ramis' at the very end of the credits made me angry.
>If it was FOR him, why did they push it through like two seconds after
>he died?

... this is the only objection I find puzzling as opposed to just something I disagree with. (Or agree with.)

Harold Ramis and Dan Ackroyd worked together on trying to get a new Ghostbusters movie made for the better part of a decade. The sticking point on that was never Ramis; it was Murray, who just didn't want to come back. Saying they "pushed this through" like two seconds after he died implies that he objected to more Ghostbusters movies being made and that his death let them move forward over his objections.

Putting "For Harold Ramis" to honor him doesn't seem like something that disrespects him at all. It certainly doesn't seem like something you should get angry on, unless you just think the movie was so bad that putting his name on it tarnishes him. But that didn't appear to be the crux of your objection. I mean... Dan Ackroyd was involved in this thing up to the armpits and he and Ramis were super tight for nearly thirty years. Presumably Ackroyd has a better idea of what appropriately honors his friend and collaborator than we do?

I'm also a bit puzzled at "basically blackmailed Bill Murray." Bill Murray does whatever the fuck he wants. What could Ackroyd have possibly had on him that would get him to show up for this, but not for Ghostbusters 3?

-Merc
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Kendra Kirai
Member since May-22-16
587 posts
Jul-17-16, 07:18 PM (EDT)
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3. "RE: Ghostbusters 2016"
In response to message #2
 
   Ramis was the last holdout keeping this movie in the ground, and IMMEDIATELY after his death it got greenlit. THAT is the disrespectful part. And leaked Sony emails said that they put considerable pressure on Bill Murday to get his cooperation, according to what I've heard. I'm *guessing* it was something along the lines of 'be in this or we don't make any more of the movies you want to make'.


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CdrMike
Member since Feb-20-05
899 posts
Jul-18-16, 09:05 AM (EDT)
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4. "RE: Ghostbusters 2016"
In response to message #3
 
   LAST EDITED ON Jul-18-16 AT 09:07 AM (EDT)
 
Yeah, unfortunately, none of this really jibes with reality. Ramis wasn't holding out, he and Aykroyd wanted a sequel made pretty badly. They spent the better part of the last 30 years working on new scripts and working on ways to write Murray out, but the problem was the project's signed director: Ivan Reitman. For those who don't remember, Reitman was the director on the original films and Columbia/Sony had signed him on for the new film. But, in one of those Faustian deals that always come back to haunt the studios, Sony agreed to a contract that had two truly insane stipulations: the studio could not eject Reitman no matter how long the project sat in Development Hell, and all the crew (Ramis, Aykroyd, Murray, and Hudson) could veto and kill the project for any reason. So while Aykroyd and Ramis spent years working on new scripts, the contract kept things stalled because Murray wouldn't bite and Reitman wouldn't leave the project.

Fast-forward to Feb 2014 and the passing of Ramis, which under the contract terms should have basically killed any talk of a new film. But what happened instead was Reitman stepped down from the director's chair, saying that without Ramis that it was never going to happen. Sony, being the opportunistic vultures they are, shoved Reitman into the producer's chair and shredded the old contract. Then they started shopping around for a director and a script and the rest is history. So Ramis' death was instrumental to the film being made, but he wasn't a holdout. The timing of the film being greenlit so soon after his death has just been seized upon by those fans of original films who (in the way obsessed fans always do) want a reason to hate this film. Not that I'm accusing you of such, as I know when I heard similar rumors I was likewise livid before I did a bit of research.

Oh, and the whole "blackmail"? It was Sony being Sony, they were tossing around the idea of taking Murray to court for what was effectively breach of contract. Either they'd get him to agree to the film, they'd get him to agree to allow it to be made without his participation, or they'd sue his ass until he cried "Uncle." But Ramis shuffling off his mortal coil and Reitman stepping down solved that issue and making the film a reboot overrode Murray's BS "no sequels" rule. Word is he even had fun with his cameo by doing the sort of ad-lib performance that made the originals work so well.

--------------------------
CdrMike, Overwatch Reject

"You know, the world could always use more heroes." - Tracer, Overwatch


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Kendra Kirai
Member since May-22-16
587 posts
Jul-18-16, 01:35 PM (EDT)
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5. "RE: Ghostbusters 2016"
In response to message #4
 
   Hrmph. Well, alright, I suppose. I still think it was INCREDIBLY tacky to not wait two goddamn minutes before pushing it through, but fine.

My other gripes still sit, however. Especially the lack of noticeable time progression. The original had two montages, of them fixing up the firehouse and of them catching the ghosts, showing that it's been a while since the movie started. This one just sent scene to scene, no indication of time passing. Made it seem like Holtzmann went from the cart-based Proto-pack to the backpack unit in a couple of hours.

Though if it DID take place over the span of a couple of days, that raises further questions like *how did Holtzmann make all this crap in a day and a half*?


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SmkViper
Member since Sep-11-07
60 posts
Jul-18-16, 03:31 PM (EDT)
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6. "RE: Ghostbusters 2016"
In response to message #0
 
   For what it's worth, the Ghostbusters 2009 videogame (made by Terminal Reality) is about as "official" as you can get as the third Ghostbusters movie.

"I've seen work on the video game, I've watched it progress, my rap now to people is 'This is essentially the third movie.'" - Dan Aykroyd

So if the new movie was a sequel, it would actually be the 4th in the series.

(Yeah, ok, it's a bit pedantic, but I hear Merc likes that kind of thing ;) )

More on-topic, haven't seen the movie, and from the reviews I've seen I'm not sure I'd like it. I pretty much avoid crude humor, which this seems to ramp up. If I eventually see it it will probably be whenever it comes to Netflix or some other streaming service where I can see it for "free".

--SmkViper


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Peter Eng
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2051 posts
Jul-25-16, 04:29 PM (EDT)
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7. "RE: Ghostbusters 2016"
In response to message #0
 
   > As I said elsewhere, I'm a little bit surprised they didn't simply make this
> Ghostbusters 3 and be done with it. That would have required maybe two pages
> worth of script changes to be perfectly all right.

How would you explain the skepticism? Erin getting tossed out on her ear for believing in ghosts doesn't exactly mesh with a world where Venkman, Stantz, Spengler, and Zeddmore have a history.

Other than that, I generally agree with you.

Peter Eng
--
Also - my childhood? Not ruined. Haters can go eat rocks.


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Pasha
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1018 posts
Jul-25-16, 05:03 PM (EDT)
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8. "RE: Ghostbusters 2016"
In response to message #7
 
   >> As I said elsewhere, I'm a little bit surprised they didn't simply make this
>> Ghostbusters 3 and be done with it. That would have required maybe two pages
>> worth of script changes to be perfectly all right.
>
>How would you explain the skepticism? Erin getting tossed out on her
>ear for believing in ghosts doesn't exactly mesh with a world where
>Venkman, Stantz, Spengler, and Zeddmore have a history.
>
>Other than that, I generally agree with you.

You mean like that scene in Ghostbusters II where the judge looks at Louis Tully and listens to his testimony about the events that happened in public in one of the largest cities in the world just a few years ago and doesn't think he's crazy?

--
-Pasha
"Don't change the subject"
"Too slow, already did."


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Peter Eng
Charter Member
2051 posts
Jul-25-16, 07:38 PM (EDT)
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9. "RE: Ghostbusters 2016"
In response to message #8
 
   >
>You mean like that scene in Ghostbusters II where the judge looks at
>Louis Tully and listens to his testimony about the events that
>happened in public in one of the largest cities in the world just a
>few years ago and doesn't think he's crazy?
>

Good point. I'd forgotten about that scene.

Peter Eng
--
Now I have to erase that memory again.


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Peter Eng
Charter Member
2051 posts
Aug-02-16, 00:49 AM (EDT)
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10. "RE: Ghostbusters 2016"
In response to message #7
 
   "In this story, the women are self-made. They learn and discover and invent and become entrepreneurs on their own merit. In a sequel, they wouldn't *earn* their positions - their roles as ghostbusters, and their legitimacy, would be handed to them my guys who did it first, no matter how smart or talented they were."

There. Somebody who has a very good point about why being a sequel would be problematic.

Peter Eng
--
Insert humorous comment here.


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Kendra Kirai
Member since May-22-16
587 posts
Aug-02-16, 02:17 PM (EDT)
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11. "RE: Ghostbusters 2016"
In response to message #10
 
   .......So? So they'd be a franchise, or just 'the next generation'. The only person who 'earned' anything in the movie that wasnt them trying to get together funds, credibility, and technology was Holtzmann anyway, and she could have totally been Egon's brilliant protege who surpassed him to the point he retired somewhere into a pure research position (to explain his absence).

Just because you aren't the first to do something doesn't mean you didn't deserve to be the second. Being CRAP at it means you didn't deserve to be the second.

The movie was a mash up of the first movie and the video game that was essentially 'Ghostbusters 3', and it didn't 'earn' any of it. It was built up entirely on 'it's Ghostbusters' 'it's women' 'everybody who doesn't like it are misogynists' 'we have five main characters who you already know from other things released as recently as THIS YEAR so they're already on your mind'.

It was designed to not fail. And yet it STILL IS.

Even with all the press, all the big names, and the GHOSTBUSTERS BRAND it made barely a third of its budget back opening weekend. The original, with none of that (well, okay, except Bill Murray, Dan Ackroyd, Sugorney Weaver, Annie Potts, and Rick Moranis) made just under half.

The new movie took more than two weeks to make its budget back, worldwide. The original made it back and eight million more in nine days, domestic.


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