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Eyrie Productions, Unlimited
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Verbena
Charter Member
1107 posts |
Feb-18-17, 07:24 AM (EDT) |
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2. "RE: UF/GA: The Vocaloid Variations"
In response to message #1
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>That was a joy to read. Seeing the experience of each one of the >Vocaloids as they awaken gives a sense of both what it's like for >them, and what they're like. I also like that gblackrock17 >got his two cents in. I really enjoyed this, too! I appreciate the thought and care that goes into a story like this, even though I'm not really a writer, as such. Incidentally, is gblackrock17 a username we should know? Obviously, I expect to recognize who it is once the reveal happens, but this is still Golden Age--no reason for Gryphon to hide, and I don't think he'd make a video that risque anyway. Trying to think who it might be. Zoner, maybe? ------ Fearless creatures, we all learn to fight the Reaper Can't defeat Her, so instead I'll have to be Her
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Gryphon
Charter Member
22420 posts |
Feb-18-17, 11:42 PM (EDT) |
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9. "RE: UF/GA: The Vocaloid Variations"
In response to message #8
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>Ah, I forget that, so I tried and failed to associate gblackrock17 >with Black Rock Shooter, as in a character that got Vocaloid song and >escalated from there. Heh, my only point of reference for BRS is people in Danbooru comments saying that Aircraft Carrier Wo-class from Kantai Collection looks like her, particularly in the anime when she gets shot in the eye. :) --G. -><- Benjamin D. Hutchins, Co-Founder, Editor-in-Chief, & Forum Mod Eyrie Productions, Unlimited http://www.eyrie-productions.com/ zgryphon at that email service Google has Ceterum censeo Carthaginem esse delendam. |
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Droken
Member since May-6-08
417 posts |
Feb-18-17, 05:48 PM (EDT) |
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6. "RE: UF/GA: The Vocaloid Variations"
In response to message #0
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So, that was excellent fun. I think my favorite parts were the individual awakenings. They gave a clear and defined sense of the differences in each Vocaloid, and were imo quite powerful and engaging, particularly Gumi's. I also have to give significant props for the concept of the logs files acting as essentially residual memories. That was really well done. I also deeply appreciate the deliberate lack of a "villain" in this. You'd already told us in the Featured Documents post that such was the case, but I was still definitely left wondering whether there wouldn't be at least some attempted shenanigans when Dr. Tsuji showed up at the final hearing. That, as well as Hinamura's response when Miku asked why he'd decided to join in on their side were fantastic. (As an aside, the annotation for how Gryph and Zoner intended to "handle" any potential complications was absolute gold) -Droken "If at first you don't succeed, bull- riding is not for you." |
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goldenfire
Charter Member
517 posts |
Feb-19-17, 09:32 AM (EDT) |
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10. "RE: UF/GA: The Vocaloid Variations"
In response to message #0
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Oh. My. God. I haven't commented on stories recently...not because I don't enjoy them (I do!) but because I feel like simply saying "great story!" is...a bit ofa waste of bandwidth. I have to comment on this one, I do...
You had me in tears about 4 times over the course of it, even knowing (because it's Eyrie) that Everything Will Turn Out Alright In the End. Gods, but I wish I could be in the Letterman audience for that show...wish, wish, wish and finally, "wrong side of history"...chills down my back, completely and (not to get TOO political about it) quite apropos of today, all things considered. brava!
| | ==Goldenfire And who exactly is this diabolical 'they' to which we keep referring? If there's some grand conspiracy going on, the right hand doesn't appear to know what the left is doing. --Raziel (Soul Reaver II) |
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zwol
Member since Feb-24-12
299 posts |
Feb-22-17, 06:47 PM (EDT) |
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15. "RE: UF/GA: The Vocaloid Variations"
In response to message #0
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Back when New Tricks came out, I said that it felt like a return to the older, more episodic Eyrie Productions, where UF!Gryphon stumbles headlong into one anime after another? This kinda does the same thing in a different way. Think all the way back to the beginning of Undocumented Features: the divergence point, the event that kicks it all off, is the accidental creation of an artificial intelligence. This is much more narrowly focused, and it doesn't show any sign of leading to another complete retcon of galactic history stretching millenia into the past, or to the destruction of Worcester, MA, but the parallel still made me smile a little. We haven't really seen that much of Earth or galactic society immediately post-contact, have we? There's this, there's the mini about Zefram Cochrane testing the hyperdrive he's independently reinvented, there's the first story featuring Redneck (which IIRC introduces Zardon), and there's been a lot of hints at things that happened but not actually onstage, but I feel like FI-era is much more fully realized. The variety is nice. On a more out-of-universe note, the extent of my prior exposure to Vocaloids is that someone I follow on Twitter went to a Magical Mirai concert in 2015 and posted a whole bunch of photos with no context. I then tried to find examples of the music, found the really old stuff that sounds like it's been AutoTuned to death, and gave up. :-/ So I also want to say that you have once again done an excellent job of presenting new-to-UF characters to people more-or-less completely unfamiliar with their source material, and that I appreciate your choosing sample music videos based on newer iterations of the software. :) And finally, when y'all first used the line "My friend, don't be a dick," it seemed such a perfectly Venkman thing to say, so I was pleasantly surprised to see it fit neatly into two other characters' mouths in the course of the same story.
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Gryphon
Charter Member
22420 posts |
Feb-22-17, 09:42 PM (EDT) |
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16. "RE: UF/GA: The Vocaloid Variations"
In response to message #15
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>We haven't really seen that much of Earth or galactic society >immediately post-contact, have we? There's this, there's the mini >about Zefram Cochrane testing the hyperdrive he's independently >reinvented, there's the first story featuring Redneck (which IIRC >introduces Zardon), and there's been a lot of hints at things that >happened but not actually onstage, but I feel like FI-era is much more >fully realized.Not really, no. There is, at least, a hell of a lot more stuff set in the FI era. The thing about the WDF's early Golden Age is that they mostly spent it nowhere near Earth, so to show Earth in that period, we for the most part don't show the main cast, which is in itself something that doesn't happen terribly often. >The variety is nice. I enjoy it too, when it comes together. >I >then tried to find examples of the music, found the really old stuff >that sounds like it's been AutoTuned to death, and gave up. :-/ ... Um, on a point of order, that's sort of what Vocaloid is, so... :) >And finally, when y'all first used the line "My friend, don't be a >dick," it seemed such a perfectly Venkman thing to say, so I was >pleasantly surprised to see it fit neatly into two other characters' >mouths in the course of the same story. In the interest of full disclosure, I'm pretty sure it originally was a Venkman thing to say (as in, he says it in the movie, not just in The Other Side). And, to be fair, Kurusu was quoting Rodimus Prime. (No, he wasn't there for that conversation, but he heard about it later.) --G. -><- Benjamin D. Hutchins, Co-Founder, Editor-in-Chief, & Forum Mod Eyrie Productions, Unlimited http://www.eyrie-productions.com/ zgryphon at that email service Google has Ceterum censeo Carthaginem esse delendam. |
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DaPatman89
Member since May-2-12
97 posts |
Feb-24-17, 10:54 AM (EDT) |
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17. "RE: UF/GA: The Vocaloid Variations"
In response to message #15
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>And finally, when y'all first used the line "My friend, don't be a >dick," it seemed such a perfectly Venkman thing to say, so I was >pleasantly surprised to see it fit neatly into two other characters' >mouths in the course of the same story. I'm not sure what it says about me that the first person I associated that line with upon reading it was Adam Hills - possibly just that I'm a fan of The Last Leg. Then again, later on in the story I had a brainfart and mis-attributed the "The right people will get this" line to Monty Python before correcting myself, so maybe I just need to work on expanding my reference pool. Still, I don't mind admitting this, since it led directly to me wishing I could see the Vocaloids perform the Camelot song from Holy Grail. --- "Things in life aren't always quite what they seem, There's more than one given angle to any one given scene. So bear that in mind next time you try to intervene On any one given angle on any one given scene." Angles - dan le sac vs. Scroobius Pip |
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pjmoyer
Charter Member
1856 posts |
Feb-24-17, 11:18 AM (EDT) |
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18. "RE: UF/GA: The Vocaloid Variations"
In response to message #17
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>Still, I don't mind admitting >this, since it led directly to me wishing I could see the Vocaloids >perform the Camelot song from Holy Grail. LUKA Look, my liege! MIKU Camelot! RIN Camelot! MEIKO Camelot! KAITO It's only a model. MIKU Shh! Knights, I bid you welcome to your new home. Let us ride, to, Camelot! immediately starts the guitar riffs of Def Leppard's "Run Riot"
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Philip J. Moyer Contributing Writer, Editor and Artist (and Moderator) -- Eyrie Productions, Unlimited CEO of MTS, High Poobah Of Artwork, and High Priest Of the Church Of Aerianne -- Magnetic Terrapin Studios "Insert Pithy Comment Here" Fandoms -- Fanart -- Fan Meta Discussions |
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jhosmer1
Member since Jan-11-07
185 posts |
May-24-17, 09:13 AM (EDT) |
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25. "RE: UF/GA: The Vocaloid Variations"
In response to message #0
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>Nah, I can't blame you for that. I mean, I'd have handled it with my customary >and may I say legendary sangfroid," Kurusu remarked, "but Shinoda would've had >six kittens and a cow, and the rest of us would've had to tie him to a couch >to keep him from calling Chiba for instructions."Rereading this today, and other recent threads took me here: Shinoda: I know you gentlemen have been through a lot, but when you find the time, I'd rather not spend the rest of this winter TIED TO THIS F*****G COUCH! |
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version 3.3 © 2001
Eyrie Productions,
Unlimited
Benjamin
D. Hutchins
E P U (Colour)
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