I have a message from another time... Eyrie Productions, Unlimited presents UNDOCUMENTED FEATURES FUTURE IMPERFECT - SYMPHONY OF THE SWORD - The Rose that Blooms in the City of Light Benjamin D. Hutchins with Anne Cross John Trussell "Harlem Nocturne" by Earle H. Hagen (c) 2001 Eyrie Productions, Unlimited Juri Arisugawa's first view of Paris was not an inspiring one. The afternoon of Sunday, March 13, 2405 was a rather rainy and gray one, shrouding the City of Light in fog and generally preventing it from living up to its nickname. To make matters worse, the Airbus A7690 sub-orbital shuttlecraft carrying her from Boston-Logan to Paris-de Gaulle had taken a remarkably uninteresting glideslope for its approach, no doubt also because of the foul weather. The flight itself was quite a thing to consider, for one as unused to the local technology as Juri. Back in her homeworld, she had once flown from her native land to the distant country of Gaulia for an international fencing conference, similar in concept to the musical symposium Kaitlyn was attending in Paris; but that flight had been aboard a widebody jet, which, for all its first-class creature comforts, had still taken nearly 15 hours to complete the journey. Nihonia's location at the center of the world occasionally made it an inconvenient place to hail from. This trip, by contrast, had taken barely an hour from the time the Airbus's wheels left the runway in Boston to touchdown on the outskirts of Paris. In the process, the sky outside the window had gone from blue to black to gray as the aircraft leaped up, almost into space, and then arced back down again to Earth, having covered an ocean in a single ion-driven leap. Remarkable to think about, if not all that exciting in the actual experience. At any rate, here she was on the curb in front of Terminal B, watching a uniformed cabdriver load her bags and Kaitlyn's into the trunk of a curiously-shaped black automobile. She listened as Kate explained their destination to the driver - "c-cinq-q-quante-n-neuf r-rue Saint-L-Louis-en-l-l'Ile, s-s'il v-vous p-p-plait" - and noted the ready nod and slightly indulgent smile on the man's face as he held the cab's rear door for the two women to embark. Juri guessed he was touched that a girl who stuttered as badly as Kate did would take it upon herself to do so in a foreign language just to address a cabbie in his own tongue. She was a little impressed by it herself, come to that. "Isn't it an interesting coincidence," Juri mused as the car started off toward the access highway to Paris, "that the language they speak here is all but identical to Gaulish?" Kate nodded. "P-parallel d-d-dim-mensions," she said, shrugging. "It h-hap-p-pens." Juri sighed inwardly. Kate was nice, kind-hearted and brave - she'd heard stories of the brown-haired girl's courage and sweetness from people whose words Juri trusted - but that stutter made it difficult to connect with her. Miki Kaoru had told her that it would fade with time and strengthened acquaintance, but so far, it hadn't abated very much at all. Juri supposed she wasn't making it any easier, but then she never had been very good at making friends. She noticed Kate looking at her with a small, private smile, as though she knew what Juri had been thinking and understood. It was a disconcerting habit, thought Juri. She smiled, a bit thinly, and turned her head to look out the window as the cab made its way into Paris in the rain. The Hotel des Deux Iles, where IRCAM (the sponsoring body of the symposium Kate was attending) had lodged their guest from WPI and her companion, was located almost smack in the center of the Ile Saint-Louis, the smaller of the two islands in the Seine at the center of Paris. Constructed in 2380 on the site of the third hotel to bear the name, it was still fairly new, yet, despite being a thirty-story tower hotel, it managed to maintain a curious, undefinable atmosphere that made it somehow fit in on the little island, still packed with quaint homes and other old buildings. Perhaps it was the architecture or the interior decoration, both of which somehow managed to make the place look like it was the sort of thirty-story tower hotel Baron Haussmann would have raised, had he possessed the technology to build thirty-story tower hotels. Whichever, Kaitlyn appreciated it. She'd stayed here the previous year, attending her first International Music Conference, and become very fond of the hotel's combination of modern convenience and Old World charm. The room to which she and Juri were shown was almost too small for the bureau, small table, and pair of queen beds it contained, but that fact, combined with its entirely un-hotel-room- like decor (dark wood trim, cream-colored plastered walls, mismatched quilts, beautifully carved dark wood furniture), made it feel more like a spare bedroom in somebody's house than a planned-by-design hotel accommodation. Kate tipped the bellboy and thanked him for his help, shut the door, and then went to the window and pulled open the curtains. "Ahhhh," she said, smiling. "P-perf-fect." Juri went to stand by her, wondering what was so perfect about a gray, rainy early afternoon, even in a city as vaunted as Paris; then she looked out of the window and had her answer. The room was on the twenty-third floor, high enough that it overlooked every other building on that end of the Ile Saint-Louis, but not so high that it made one feel detached from the view below. Not only the western half of the island could be seen from here, but also the neighboring Ile de la Cite - the heart of Paris itself. And the nearest thing to them on that island, perched on the eastern tip, was the great cathedral of Notre-Dame. Juri Arisugawa was hardly a Christian; the religion was unknown in Cephiro, whose inhabitants tended toward a sort of distracted deism, a monotheistic belief in a God-the-Watchmaker sort who had no further interest in the world now that He had set it running. Still, she was an aesthete, and as such, she admired Notre-Dame for its handsomeness and the artistry of its construction, whatever its purpose. She'd seen pictures of it in the Paris guidebook she'd bought on agreeing to come here, but they didn't compare to seeing it in person, even at a distance through the fog. She smiled and went to start unpacking her things. Silently, Kaitlyn stood and admired the view of Notre-Dame for a few more moments, then went to do the same. They had just sat down to dinner at a brasserie in the Place Dauphine when Juri said, "Kaitlyn, I've been thinking... " "Mm?" said Kate, raising her eyes from the menu. "While we're here," said Juri, "perhaps we ought to speak French with each other, for practice." She smiled and went on, Kate looked a bit dubious. "W-w-well," she replied in French, "i-it'll p-p-prob-b-bably m-m-make m-me ev-v-v-ven h-harder to un-unders-s-stand... " Juri nodded. "That's all right. You'll get used to me sooner or later. In the meantime, don't worry about it - if I can't figure something out, I'll get you to repeat it and listen harder." Kate thought on that for a moment, then shrugged. "I-i-if y-you s-s-say s-so," she replied. The conversation faltered there, as both women busied themselves with their menus. Juri frowned, behind her menu where she thought no one could see her, and wondered what she was doing here. Behind the counter, the brasserie's owner saw her scowl and thought to himself, Ah, ah, what have we here? He'd noticed them when they came in, two young women he'd never seen before. The Brasserie Dauphine didn't get much in the way of unfamiliar customers - it was frequented by the employees of the Prefecture de Police and the Palais de Justice, a crowd that didn't change much - and so Marcel Janvier noticed new faces readily. He'd have noticed these two in any case. The one wasn't, perhaps, so remarkable - a shortish, slim girl of perhaps sixteen, with long brown hair that had a very slight curl to it, glasses, and a pretty smile, in jeans, a gray sweatshirt with the name and seal of an American school, practical walking shoes, and a brown leather jacket like aviators used to wear. She carried a black wooden walking stick, though she didn't seem to have a limp - a curious affectation, Janvier thought, but the children these days... what can one do? The brown-haired girl was overshadowed by her slightly older companion, a tall, slender but well-appointed redhead with her hair done up in vertical curls, a cool, aristocratic face, and devil-green eyes. This one wore very stylish clothes, from her low-heeled shoes to her neat black pants to her crisp white blouse and tidy charcoal jacket to the gray cashmere overcoat she'd carefully hung on the back of their table's unoccupied third chair. The redhead was a frowner; in a rather comical way, she reminded Janvier of his most common customers, the policemen of the Quai des Orfevres. So serious! That was no way for a visitor to Paris to be, even with the political skies becoming steadily gloomier and the weather so gray and dreary. And the other one, though she had smiled when they entered, seemed worried about something now, which was no better for Janvier's sensibilities than her companion's frown. Now that he came to look at her more closely, the brown-haired girl looked familiar. Janvier rarely forgot a customer, and now he ran his mind back, thinking, and soon he had her. She'd been here a year before, a year younger, of course, a year smaller, and alone; he remembered the black stick and the pretty smile. She was an American student, as her shirt indicated. She had an English name. Carolyn, maybe? No - Kaitlyn. He tried to remember, and it came to him: she'd been a guest at the annual IRCAM symposium. He supposed she must be back for this year's, and this time she had brought a guest? Or was the redhead a fellow musician, brought together with her by the conference and invited along to the Brasserie Dauphine for a dinner of peers? No, Janvier thought not. They weren't talking over sheet music, and if there was one thing he knew about comrades in any field of intellectual endeavor, it was that they invariable talked shop over dinner at the Brasserie Dauphine. He considered what to do about the mood for a moment, then smiled, selected a bottle of wine, and bustled over to the table with it and a pair of glasses. "Good evening, ladies," he said with a smile. He placed the glasses on the table, then presented the bottle with a flourish and added, "Welcome to Paris!" Kaitlyn looked up at him with a faintly startled smile. "Oh!" she said. "H-h-h-hello, M-M-M. J-J-Janv-v-vier. D-d-do y-you r-r-rem-m-member m-m-m-me?" Janvier smiled widely. "But of course I remember you, my dear. You're the young lady who tuned my piano last year, and it has never sounded better - although since you went back to the States, there's been no one to play it." He gestured to the three trenchcoated people, two men and a woman, in the corner booth who were the place's only other occupants at the moment, and grinned. "My usual crowd isn't very musical." "Talking about us behind our backs again, Janvier?" one of the men in the booth called, a grin on his weatherbeaten face. "Of course, Superintendent," Janvier replied. "The common people always talk about the cops behind their backs." "Isn't that the truth," said the Superintendent. He raised his glass and turned back to his colleagues. "I regret, however," said Janvier, "that I have not met your charming companion before." He turned to the redhead, bowing, and said, "I am Marcel Janvier, Miss. Welcome to my little place." "My name is Juri," said she, nodding graciously. "I'm pleased to meet you, M. Janvier." "Ah, no, my dear, the pleasure is mine. Now then. What would you young ladies like to eat tonight? I have a good filet of sole." "How is the contrefilet?" Juri inquired. Janvier flip-flopped a hand. "Not so bad," he said with an apologetic look. "I'm not equipped like a steakhouse, but Mama does her best." "I'll try it anyway," said Juri with a mild smile. "Very good, very good. And for you, miss?" he asked, turning to Kate. "I-I-I'll h-h-have th-the... th-the s-s-sole," said Kate. "Most excellent," said Janvier. "Shall I pour your wine before I go and give your order to Mama?" Juri said she would like that, thank you, but Kaitlyn went a little pink and replied, "Um, n-n-no, th-thank y-y-you... I, I'm n-n-not o-o-old en-n-nough. M-mayb-b-be Th-Th-Thursd-d-day... " Juri raised an eyebrow. "Thursday is your birthday?" Kate nodded. "Th-th-that's w-w-w-why... " She paused, as if considering the pain of thrashing her way through a full explanation, then waved a hand in a fill-it-in sort of way and said, "Th-th-the c-c-c-car." "Ah," said Juri, nodding. "I think," said Janvier with a smile, "we might stretch a point for the sake of hospitality." Kate cast an unconvinced glance at the policemen in the corner booth. "B-b-but... y-your r-r-reg-g-gulars... " Janvier fanned a hand at them. "Bah. My boys are from the Quai, they're interested in murder and burglary and arson, not fiddling social regulations. Isn't that right, Superintendent Marquette?" "Of course, Janvier," said the man in the brown trenchcoat, who hadn't heard what he was being asked. "Anything you say. Might I trouble you for another Pernod?" "In a moment, Superintendent, in a moment." The burly publican smiled at the two girls, poured their wine, and went off to take their orders to the kitchen and get the policeman his Pernod. Kate gazed thoughtfully at her wine for a moment, then raised it to Juri and drank. Juri glanced at her Institute Duelists' Society ring, considering the last time she'd drunk wine; then she returned the salute and tried it herself. It was good wine, young and a bit sharp, but good all the same. Even with the gray, chilly raininess of the day, the friendliness of the owner and the warm, cheerful charm of this little restaurant lifted Juri's mood. Maybe, she thought, this would work out after all. She and Kaitlyn didn't say much to each other for the rest of the meal, but the silence between them was at least no longer awkward. Juri considered the loin steak quite a bit better than "not so bad" (and the potatoes were perfect, crisp and hot), while Kate pronounced the filet of sole and salad exquisite. Presently they finished, paid, and thanked the owner, then went back out into the rain. Evening had fallen while they were eating, and the lights along the Place Dauphine were each its own separate globe of yellow-white light, glowing at the tops of the black metal lampposts like streetlamps in an oil painting. They walked down the Quai des Orfevres, turned left to walk past the ornate gates of the Palais de Justice, then around the side of the Prefecture de Police to the rue de la Cite. With the rain hissing softly around them, pattering on their umbrellas, and the fog enfolding everything in a soft glow from the streetlamps, it was as though they were the only two people in Paris, possibly the only two in the world. Lights burned in the windows of the Prefecture, but no cars plied the streets and no one else walked the pavements. Juri found it quite restful. From there, it wasn't far to Notre-Dame, hulking silent and dark against the nightglow of Paris against the overcast. In the hush, Kate and Juri walked through the shadowed gardens alongside the great cathedral, met up with the Quai aux Fleurs at the island's eastern tip, and crossed the little bridge to the Ile Saint-Louis again. As they walked up the rue Saint-Louis-en-l'Ile toward their hotel, Kaitlyn took off her eyeglasses, folded them up, and tucked them into the inside pocket of her bomber jacket. Then she folded up her umbrella suddenly, stopped walking, and upturned her face to the rainy sky, letting the falling water dampen her hair and trickle down across her features. Juri stopped and observed her, slightly bemused, as she stood with her arms extended, palms upward, and smiled up into the rain. After a few seconds of that, Kate opened her eyes and smiled at Juri's puzzled look. "G-g-glad t-to b-b-be in P-P-Paris," she said. "I, I l-l-love th-this c-c-city, ev-v-ven in the r-r-rain." "More than Toronto?" Juri wondered. "D-differently," Kate replied. "T-T-T-Toronto is a f-f-friend. P-Paris is an o-o-old unc-cle w-who d-d-doesn't v-visit of-often." Juri smiled. "I understand," she said. "I'd rather not get my coat wet, though, so I don't think I'll be joining you." Kate grinned and skipped off a way down the street, hopping over puddles like a little girl on an outing with her parents, twirling with her arms outstretched and her face raised to catch the rain once more. The next day was Day 1 of the International Conference of Modern Composers. Kaitlyn rose early, dressed in the more somber of the two skirt-suits she'd brought with her, crossed the Pont Marie, and walked northwest across the 4th arrondissement to the Centre Georges Pompidou. ("That's where your conference is being held?" Juri had inquired, looking at the photograph in the guidebook. "N-n-n-next d-door," Kate told her. "Interesting building," said Juri. "When is it expected to be finished?" "Um... n-n-ninet-t-teen s-s-seventy-s-s-s-seven." "... Oh.") Juri woke to find her already gone, and spent a few minutes perusing her guidebook, deciding where to go today. She and Kate had discussed their plans for the week a bit the night before, between returning from their rainy walk and going to bed, so she knew a few things Kate would rather she -not- do during the days, so that they could do them together in the evenings. Aside from that, her schedule was open until six-thirty or so, when Kate would get back from the Centre Pompidou and they could go in search of dinner. She considered it for a few minutes, then went and prepared herself for the day. After completing her morning toilet, she dressed. As she was buttoning her shirt, she opened the drapes and looked out the window. The overcast and its attendant rain were gone, and in their place, a dazzling clear blue sky arched over Paris, making it glitter and shine. Notre Dame no longer hunkered in the mist and looked vaguely foreboding; now it reached for the heavens it was built to glorify, somehow defying the taller buildings that surrounded it and still appearing the lofiest structure in the heart of the city. Juri smiled, shrugged into her overcoat, and tucked the guidebook into her inside pocket. Today, she would play it by ear. The first three days of the week went past in a tranquil sort of way, with beautiful, crisp, clear, cool weather that was almost more like autumn than spring. During the days, Kaitlyn attended the conference, working with fellow musicians from all over the galaxy, hearing lectures on musical theory, implementation, and interpretation, and preparing for the exhibition concert which comprised the symposium's closing ceremonies on Friday night. While she was busy with that, Juri rambled around Paris, visiting museums, seeing the city's multifarious monuments, and shopping. In the evenings, they decided, they'd visit a different district each night, sampling the different parts of the city like a buffet. On Monday, after visiting their neighbor cathedral (just as impressive and lovely inside as out), they crossed the Pont de la Tournelle to the Left Bank and the 5th arrondissement, and spent an evening strolling through the university sector, the Quartier Latin. The next night they took the Metro a little further south, to the the 14th arrondissement. There they walked the streets of Montparnasse, the famed literary district, home of many of the world's famous writers in the early 20th, mid-21st and late 23rd centuries. As they walked the pavements of Paris, bought crepes from sidewalk vendors, and drank in the sights, sounds and smells of a city many Earthpeople considered the most vibrant on the planet (perhaps in the civilized galaxy), Kaitlyn and Juri slowly grew more comfortable in each other's presence, without even quite realizing that they were. They still didn't -say- all that much - nudges, points, smiles and nods covered much of the sightseeing vocabulary, and much of the time each seemed lost in her own thoughts; but they -communicated- more, all the same. By the time they returned to the Hotel des Deux Iles on Tuesday night, they had nearly shed the silent awkwardness of strangers for the quiet comfort of acquaintances on their way to becoming friends. On Wednesday, they went west instead of south, riding the Metro out to the Etoile Charles-de-Gaulle and then walking all the way back along the Champs-Elysees. Along the way, something remarkable happened, though it happened so slowly that Juri almost didn't realize it at first: Kaitlyn became voluble. She started by asking, as they descended to the Metro at Saint-Michel, how Juri had spent her day, then listened with her usual bright-eyed, quiet, nodding attentiveness as Juri described her day among the quiet tombs and sunlit trees of the Cimetiere du Pere Lachaise. Kaitlyn teased Juri gently about the morbidity of spending a day alone in a -cemetery-, of all things, and listened with smiling good humor as Juri defended her choice in terms of architectural interest and a desire for someplace quiet to reflect on certain matters. Then she remarked that Juri had certainly had a nicer day than -she- had, and as they emerged from the underground in the shadow of the Arc de Triomphe, the story of -her- day started emerging, slowly and haltingly (but doggedly) at first, then with an increasing pace and smoothness as she warmed to the dialogue. So it was that, as they waited to cross the intersection with the avenue George V, Juri suddenly realized that Kaitlyn was talking to her, and had been in a steady stream since they left the Metro. That's not to say Juri hadn't been listening, because she had; but it hadn't really dawned on her what it meant that she had such a remarkable flow of language to -listen- to until that moment. Kate spoke eloquently, her French fluent and fluid - she still stuttered, of course, but she'd stopped stumbling over whole words and leaving out the unnecessary ones, and stopped looking embarrassed as she essayed the larger, more complicated ones. She gestured here and there in an amusingly Gallic fashion as she spoke, too. What had struck Juri suddenly was that, though Kate's stutter had not gone, she wasn't having to pay uncomfortably close attention just to understand what the other girl was -saying- any more. The substance of Kaitlyn's dissertation seemed to be that, although she was enjoying the conference's musical aspects immensely, she was finding some of its social aspects very tiresome indeed. Musicians, she explained, tended to be a somewhat quarrelsome lot when gathered together in groups, and additionally, though some were committed to the beauty and universality of music as a means of emotional and conceptual (as opposed to literal, you understand, although it can be that too) communication, others were... well, just plain snobs. Fortunately (praise Corwin's holy Aunt Bell, blessed be Her celestial kitchen), Elizabeth Broadbank had neither interest nor talent in musical circles, so Kate didn't have -her- to deal with; but to hear her gripe about him, the unnamed individual known to Juri only as "that pompous cretin from the Ecole Musico-Technologique in Nice" (repeated consonants where appropriate) was almost as irritating. His opinion of Kaitlyn's first product she dared call a symphony, the one she had worked with Miki on over Christmas, was a dismissive, "Crude, of course, and mired in archaism; but then, that sort of 'antique music' is popular in the provinces, isn't it, dear?" Juri raised an eyebrow. "He actually called New Avalon 'the provinces'?" she inquired. "Y-yep," said Kate. "An-nother time he s-s-said he sup-p-posed I w-w-work with symph-phonic orch-ch-chestras because 'm-modern' instrum-m-ments aren't av-vailable on the Outer R-Rim." "He sounds like quite a charmer," Juri mused dryly. "Did you inform him that you also lead a successful electric band?" "Oh, r-r-rock is w-w-WAY out at the Ecole M-M-Musico- T-Techn-nologique," Kate assured her, nodding in an exaggerated yes-man style. "E-even f-f-further than s-s-symph-phonic." "What do they -prefer- at the Ecole Musico-Technologique?" Juri wondered. "They c-c-call it 'l'Ex-Experience Sonique'," said Kate grandly. "P-personally," she added darkly, "I th-think it s-s-sounds like r-r-random RF n-n-noise set to an electrod-d-drum s-slaved to a p-partially c-c-crashed neural n-net." She splayed a hand on her chest and went on in a dramatically haughty sort of way, "Ah, b-b-but this s-s-sad unenl-lightenm-ment of m-mine is a n-natural p-product of my w-w-wilderness upbr-bringing. One m-mustn't hold it ag-gainst me." Juri acutally -giggled- at that, which made Kate glance at her in mild surprise, then cock her eyebrows conspiratorially at the eye contact and snicker in return. "Well," said Juri when they were finished laughing, "you'll have your chance for vindication on Friday evening." "I-if one of m-my p-p-pieces is sel-selected," Kate said. "R-Ragulin is on the s-s-selection c-committee. B-but so is M. Ch-Chalfant, and h-he r-really liked them. The s-symphony's t-too involved to p-p-put on w-with such sh-short notice, b-b-but maybe the p-p-piano sonata... " Well, thought Juri, at least the pompous cretin has a name now. Or part of one, anyway. It was about two miles down the Champs-Elysees from the Etoile to the Place de la Concorde. With the evening traffic, other pedestrians, and their own leisurely pace, it took Kaitlyn and Juri an hour or so to reach the Obelisque standing in the center of the Place. The evening was cool but comfortable, the night sky over Paris clear and starry, as they stood looking up at the massive stone needle, an ancient Egyptian relic given as a gift to France in the 19th century. Kaitlyn opined that WPI ought to put one like it in the center of the Quadrangle instead of that silly flat dedication stone. They walked through the breeze-ruffled leafiness of the Jardins des Tuileries while Kate tried to explain just what it was they -did- at the International Conference of Modern Composers. Juri, not being a musician, didn't really follow most of the technical bits, but she didn't really care; the important thing was that Kate was speaking comfortably, no longer self-conscious about her speech impediment in front of Juri. The redhead found that gratifying, for though she knew most people found her intimidating and often used that fact to her advantage, she sometimes wished she could turn it off. Perhaps that was one of the reasons she'd come to like Utena Tenjou - the fact that Utena had never seemed particularly awed by her. Impressed, yes, but not to the point where her own capacities were diminished by it. It was a refreshing change from cowing people with a glance. She pulled her train of thought back from that irrelevant digression and listened as Kate described a bit more of the byzantine internal politics of the colloquy. It all sounded quite maddening, but she noticed Kate was becoming more cheerful as she complained about it at greater length. A little smile quirked Juri's lips as she recognized the beneficial effects of venting. It was another thing she had never been particularly good at, but perhaps if she watched long enough, she could pick up a thing or two. The Jardins des Tuileries eventually led to the Place du Carrousel, beyond which lay the gleaming twentieth-century glass pyramid that was the entrance to the Louvre. This, Kate explained (unnecessarily, since Juri had a guidebook) was one of the galaxy's most famous museums of fine art, a panoply of the finest paintings and sculptures human history had to offer, if you were into that sort of thing. Kate went on to explain that she -wasn't- into that sort of thing, so if Juri wanted to see it, she ought to come back during the day tomorrow or Friday; a full day ought to be devoted to it anyway, and Kate hadn't the time. By now it was nearly nine in the evening, as they walked along the Quai du Louvre, and they were hungry. They found a cafe at random and were pleasantly surprised by the food, though the service was a bit surly. That couldn't dent Kaitlyn's mood, though. She seemed happier than she'd been since Juri had met her. As far as Juri could tell, Kate was always somewhat upbeat, except when she was angry about some emergency, like Liza Broadbank's treatment of Miki Kaoru back in C term. Normally, though, it was a quiet sort of upbeatness. Kate tended to be the quietly smiling one in the corner with a book, a rainy-day-contentment kind of girl, not an animated discusser of things. Tonight, though, she was certainly that. She wanted to talk about anything and everything. Over soup she asked Juri how she was finding the adjustment to the new world she found herself in. "Everyb-body else has h-h-had at least one r-rough p-patch," she explained, "and I w-wanted you to kn-know... " Kaitlyn paused, going a little pink in the cheeks, and then went on, "... if you n-n-need s-someone to t-t-talk to ab-bout it, I'm a g-good l-listener. Ask Ut-tena," she added with a slightly sheepish smile. "It's good of you," said Juri, "but I'm fine, thank you. It's really not much more of an adjustment than when I left home for the Academy in the first place." As if to prevent any inquiry on that subject, she went on, "I'm more concerned at this point for Miki." Kate nodded. "He h-had a v-very tough t-time," she allowed, "w-what with Liza t-t-targeting him and all... b-but I th-think he's d-doing all right n-now." She grinned, a little slyly, and added, "Of c-course, for the f-f-full story on th-that you'd have to t-talk to Azal-lynn." Juri frowned thoughtfully. "Mm," she said, and finished her soup. "That's what I'm concerned about. I doubt he really understands what he's letting himself in for, getting involved with a person like her." Kate arched an eyebrow. "W-what's that sup-p-posed to m-mean?" she inquired, her tone milder than, perhaps, it ought to have been. "Only this: People like her aren't known where we come from. Or rather, they're known in rather uncomplimentary terms. I understand," Juri added, raising an open palm to forestall comment, "that she is different - that things are different - here... but I'm not certain that Miki is... mature enough to understand such a thing. He's not very well-versed in the ways of the world, and he's so young... the same age as your brother. Who doesn't know what -he's- involving himself in, either." "C-Corwin," said Kate with neither rancor nor warmth, "is n-not a p-p-permissible topic for disc-c-cussion in this c-context." "I apologize," said Juri with her palm raised again. "It was a lapse, although I feel obliged to mention that I'm primarily concerned for -him-. I hate to see yet -another- innocent soul blunder into all that mess. But he seems bound to do so, and the rest of you seem bound to let him, so I'll drop it for peace's sake." Kaitlyn nodded. "I app-preciate that," she said dryly. "Miki, though, I think I have some right to be worried about," Juri went on. "His intellect exceeds his years, but I'm afraid his wisdom may be a different story. Of all of us who came from Cephiro, I think I know him best; since he first came to the Academy, I was essentially his only friend until Tenjou and Himemiya. His reserve, his shyness, hide a foolishly, childishly passionate heart. You're a musician, like him - you should recognize that." "P-passionate, yes," Kate replied. "F-foolish and ch-childish I d-dispute." If she knew or felt that Juri had just called -her- foolish and childish by association, she let it pass lightly. In this vein, they sat across the table on the sidewalk by the rue de Rivoli for almost two hours and argued. They didn't fight - they -argued-, after the ancient Greek fashion, taking opposing viewpoints and defending them with wit and courtesy. Juri's view was that Miki, being young, naive and "foolishly passionate," was setting himself up for heartbreak by his involvement with Azalynn dv'Ir Natashkan - that, though he might intellectually understand the alien nature of her affection toward him, he wouldn't be able to grasp or return it emotionally, and thus he would inevitably fall for her in the conventional human way (if he hadn't already) and be devastated when she failed to return that sentiment. Kaitlyn's view was that Juri wasn't giving Miki enough credit, that Miki already understood the Dantrovian way quite well, and that he was now, in fact, exploring it himself - that he and Azalynn were, in effect, a Dantrovian spirit pair now, for however long such transitory things lasted, and that when they parted it would be in the Dantrovian way, without the bleeding wounds of a failed human love. Juri requested clarification at this point - did that mean Kaitlyn didn't think Miki capable of love in the human fashion, as it were? Was Kate saying that Miki was trapped forever in a cycle of odd holidays and one-night stands? No, Kate wasn't saying that at all. Kate was saying that -in his interaction with Azalynn-, Miki was thinking and feeling like a Dantrovian, but that did not necessarily mean he would handle -all- of his life's interactions that way. That would be like saying that, because Kaitlyn disliked Liza Broadbank, she was thus doomed to dislike all tall, elegant women of roughly her own age, and that was clearly ludicrous, was it not? No, what Kate was saying was that everyone's interactions are different with every individual one knows, -and- that each one of those interactions was always changing and evolving as the people at either end of it changed and evolved. With Azalynn, Miki could match her way of feeling as he learned it from her, but that was no indication that he wouldn't possibly fall head-over-heels in "the human fashion" for somebody someday, possibly even somebody he already knew, as his life and those of all his friends grew around them. All right, fine, for sake of argument, said Juri; but suppose that happened. What would Azalynn do about it? Rejoice, of course, was the answer. Azalynn always rejoices in love between people. Look, you're making this much more complicated than it has to be - you worry too much about hypothetical things. If you want to be happy, you're going to have to let go of your need to control everything that happens to you and just let things unfold as they will. React, don't try to act all the time. Juri conceded that she supposed Kate might have something there, and they wrapped up their argument, drank their tea, paid their bill, walked back to the Ile Saint-Louis, and went to bed both pleased and thoughtful about the evening's conversation. The next morning, Juri was awake before Kate left for once, which gave Kate an opportunity to apologize. "I g-got too inv-volved in the d-discussion," she said to Juri's reflection behind her own in the closet-door mirror as she knotted her ribbon tie. "I sh-shouldn't have p-preached at you at th-the end th-th-there. About n-not t-trying to c-control everyth-th-thing." Juri smiled. "It was a bit rude of you," she said, "but you had the somewhat redeeming quality of being right." As Kate gave a sheepish smile, Juri went on, "I know I try to dictate the course of my life more than is really healthy. It's an unfortunate side effect of my belief in an orderly, rational universe, every effect with its cause." "S-stay out of c-c-convers-sations with M-M-MegaZone," Kate advised Juri's reflection. "I'm g-glad you're n-n-not off-fended," she added, turning to face the real Juri. "I... " Again the pause, again the touch of pink in her cheeks. "I enj-joyed the arg-gument... I th-think we r-really... c-c-connected." She looked at her watch, then said, "I've got to g-go, I'll b-be late. T-today is the l-l-last w-workshop day; t-tomorrow we h-have the m-morning off, then p-prep for the c-concert in the aftern-noon, then the c-concert at s-s-seven. Are you c-coming?" Juri nodded, smiling. "I wouldn't miss it. Have a good last day. Try not to strangle Ragulin." Kate rolled her eyes, said she would refrain with Aunt Bell's help, and left. While she was window shopping along the boulevard St.-Germaine on Thursday morning, Juri remembered that it was Kaitlyn's birthday. She supposed she ought to get the girl a present - after all, Kate had been nice enough to bring her along on this trip, which was proving most edifying in more ways than one, and after the previous night's highly civilized disagreement, Juri was even prepared to call her a kind of friend. She considered this as she made her way along the boulevard. What does one get a girl like that for her sixteenth birthday? Juri remembered turning sixteen - it hadn't been so long ago - but no one had known it except Miki. Well, and Touga, but Juri had informed Touga early in their acquaintanceship that if he ever gave her any sort of a gift, she would break his arm. Touga Kiryuu generally hadn't taken seriously threats of bodily harm from women, but from Juri, he believed. While she waited to cross a side street, it struck her like a fist to the forehead. She was in -Paris-, the fashion capital of the Earth Alliance, one of the five or six cities from which the entire humanoid -galaxy- took its fashion cues. As far as Juri could tell, Kaitlyn possessed a grand total of two articles of clothing that weren't either school uniforms or something you would wear to paint the house, and both of them were suits that were almost comical in their severity. The black one was suitable for a funeral or a tax audit, and that was about all; the gray one wouldn't have looked out of place in a courtroom. Both made the poor girl look prematurely elderly. So. Here was Juri in Paris, with money to burn, time to kill, and a friend in dire need of some fashion help. She went back to the Hotel des Deux Iles, read Kaitlyn's sizes from the tags of her clothes, and then got to work. By mid-afternoon, Juri felt she'd acquitted herself well (and also ridden on what felt like at least a quarter of the Paris Metro system, hitting shops in no fewer than nine of the city's 20 arrondissements). Shopping for somebody else made for an interesting mental exercise, and she thought she'd done pretty well. She'd done her best to select things she felt Kate -would- wear, if only she had the inclination to buy them, sticking fairly close to her own elegant but understated style in the process. The result was a range of modest but flattering cuts, nonaggressive colors, but with an underlying structure that would subtly call attention to the hidden dimensions that lurked within the quiet girl with the pretty smile. At least, that was the theory. It remained to be seen how well it would work in practice. Juri concluded her last purchase in a boutique off the rue Saint-Sulpice, made arrangements to have the things delivered to the Hotel des Deux Iles by 5 PM, thanked the shopkeeper, and departed in high spirits. Mission accomplished, and without any of the famous Parisian snobbery to contend with. Her Gaulish wasn't quite the same as the French they spoke here, but the accent the difference gave her seemed to strike Parisians as enchantingly exotic rather than annoyingly provincial. They kept asking her if she were Swiss, or perhaps from one of the 'colonies parmi les etoiles'. Feeling curiously buoyant, Juri decided to walk back to the Ile Saint-Louis instead of taking the Metro. By the time she got there, she calculated, Kaitlyn's things should just about be arriving, and she could sort them and get them ready for presentation. As she made her way through the maze of little streets that made up the eastern end of the 6th arrondissement, Juri got a little lost, both in thought and in body. Presently she found herself in a narrow, twisty, deserted lane - almost an alley, but for the numbered doors and the lack of that rather distinctive alleyway atmosphere. She paused, looking back the way she'd come, and was about to turn and go back when a sign hanging next to the door she'd stopped even with caught her eye: ATELIER de l'ESCRIME Juri raised an eyebrow. A fencing studio! Very interesting. She went up the two narrow steps to the door, a heavy, old-fashioned affair painted green, and wondered if she should knock. As she considered it, the door opened, and she found herself face to face with a tall, thin, elderly man in fencing garb, his seamed old face wearing an inoffensive, curious look. Juri thought he looked remarkably familiar, but couldn't quite place why. "Yes?" he inquired. "Can I help you, miss?" "I noticed your sign," said Juri, her composure fully intact, "and was curious." "Ah," said the old man, his bushy white eyebrows rising. "You are a fencer? Indeed, I think I see it in the way you hold yourself. Come in, come in." "I don't wish to intrude," Juri began, but the fellow ushered her inside and shut the door behind her, smiling pleasantly all the while. "My name," said the old man as he led the way down a narrow hallway toward the back of the house, "is Emile, my dear. This is my little place." The walls of the hallway were covered with pictures; Juri slowed a little to look more closely at them. They showed a tall, lean man in fencing gear, dark-haired and mustachioed, always accepting trophies or medals on ribbons from beaming men and women in suits. With a shock, Juri recognized him in two different ways. One, he was this old man called Emile in his youth, and two - - he was Charbonneaux! Her old fencing teacher, who had taken her on as a student at the age of seven - the greatest fencer in all Cephiro - arrogant, often insufferable, but superbly talented and an excellent teacher when he was in the mood for it. Juri had learned much from him, before he'd lost his right arm and his will to live in an automobile accident; enough to make it onto the Ohtori Academy fencing team in her first year at the school, the year after his death. But... how could this pleasant old man be Emile Charbonneaux? Letting aside the fact that he was alive, and had both his arms, he was much too old. Charbonneaux had only been perhaps forty when Juri had started as his student, a mere ten years ago. ("P-parallel d-d-dim-mensions," she heard Kaitlyn say in her mind. "It h-hap-p-pens.") "Is something wrong, miss?" Emile wondered, jolting her out of her startled reverie. She blinked, recovered her composure again, and said, "No, sorry. I was thinking you looked familiar, and the pictures... " She gestured to the one she had stopped in front of, which was fortunately of him accepting a gold medal at the 2340 Olympic Games, and added a bit lamely, "You were... sort of a hero of mine." She held out her hand to him. "I'm Juri." Emile smiled, took her hand, and rather ceremoniously kissed it. "I'm glad to know you," he said. "So people out in the world still know old Charbonneaux's name, eh?" he added with a self-mocking twinkle in one dark eye. "Do they still talk about what a pain in the ass I was? You know, there was a time I wouldn't take a student if he couldn't speak French like a native." He shook his head. "Arrogance. I was almost as good at that as at fencing, in my glorious youth. Ah, but you didn't come here to listen to the reminiscences of an old man." He led the way through the door at the end of the hall and into what turned out to be the studio itself, a large, airy room with plenty of light and windows, a fresh breeze, and a creaky hardwood floor. Epees, sabers and foils hung racked along the walls; the floor was bare but for the well-scuffed piste. There was another door in the far wall, which Juri guessed led to the showers. "Are you a visitor to Paris?" Emile asked. "Yes," Juri replied. "I'm a student at a school in America, the Worcester Preparatory Institute." "Ah!" said Emile, raising his eyebrows. "I've heard of the place. Supposed to have an excellent fencing program." "I wouldn't know," Juri replied wryly. "I have a bit of a... personality conflict with the captain of the team, so... " She shrugged, a rather Gallic shrug; the place was rubbing off on her just as it had on Kaitlyn, it seemed. "Ahhh," said Emile with a knowing nod. "Yet you keep in practice, I can see that looking at you. You have some like-minded friends, perhaps?" Juri nodded, and without really knowing why, she told him about the Duelists' Society. "That sounds like quite a thing," said Emile thoughtfully. "I rather wish we'd had such a thing in -my- school days. To test my steel against Japanese fighters, against a Minbari warrior! What an experience that would be! What an opportunity you children have." "Indeed," Juri agreed. "Although we aren't doing very much with it yet; we're still feeling our way. It's my hope that, once we're all comfortable with the arrangement, we'll start living up to our charter." She sighed wryly. "Of course, I say that, and I don't even have a sword of my own. The one time I've fought so far, I had to borrow one from T'skaia." "I've never met a t'skrang," said Emile with a faraway smile. "I've been told they're fine fighters." "This one is," Juri confirmed. "Well, my dear. I can't offer you anything as exotic as a t'skrangish swordsman's opposition, but would you do me the honor of facing me? I don't have many students these days, but then I wouldn't presume to teach an established duelist," he added with a mischievous little grin. "Call it a lesson for -me-. Or call it humoring a feeble old man. Whichever you like." Juri considered this odd request for a moment, then gave a mental shrug. "Why not?" she replied. "I'll have to borrow equipment." "Oh, I've plenty of that. You'll find the changing room through that door." Emile Charbonneaux was old, but he was hardly feeble. After four furious clashes with him - one win, one draw, and two losses - Juri could only hope with all her heart that when -she- reached the fine old age of a hundred forty, she was half as spry, and enjoyed her life half as much. It wasn't until she'd finished drying and combing her hair - no way to put it back into its curls here, so she'd just have to let it go natural until she got back to the hotel - and strapped her watch back on that Juri realized how late it had gotten. Goodness, it was nearly six! By the time she got back to the Hotel des Deux Iles, even assuming she could find her way readily out of this maze of little streets, Kaitlyn would be back. Ah, well, she thought as she buttoned her blouse. It was worth it, for this strange little encounter with the ghost of Charbonneaux. She emerged from the changing room with her coat over her arm, to find old Emile waiting for her in the studio dressed in a neat, slightly old-fashioned suit, with a smile on his face and a long package under his arm. "My dear, you are superb," he told her. "Don't let an old man's luck discourage you - I'll be feeling your riposte in my shoulder for the next week," he added, his smile widening into a slightly conspiratorial grin. "I hope you won't curse me for it," Juri replied, smiling in return. "Not at all. It'll be a pleasant reminder of the most stimulating afternoon I've had in a long time. Why, if I didn't know better, I would swear I'd trained you myself." He winked. "That's my old ego talking. Now," he went on briskly, "before you go back into the world, my dear, and leave old Charbonneaux behind, there's something I'd like you to have." He handed her the package, and even before lifting the lid and looking inside, Juri already knew what she would find. It was a broadsword - paradoxically, a rather narrow one, but a broadsword all the same, double-edged and pointed, with an arched brass crossguard. Just like the one Charbonneaux had given her, back home, when they'd parted, the day before he'd thrown himself off the Bayshore Bridge. It had been his, a prize he'd won at some tournament or other; he'd never had any - "I won that," said Emile, "in 2342, at the World Championships in Prague. Never had any use for it, but it sounds as though you have, and so I'd like you to take it with you." "I... " Juri closed the box and put it under her arm, then looked at the kindly-faced oldster, so different and yet so much the same as the harsh but talented man who had been the first of her two great teachers. "I don't know what to say, M. Charbonneaux," she said, her voice hushed. "Don't say anything," said Emile, and he put his arm around her shoulders - a gesture of familiarity she wouldn't have tolerated from most people, even harmless-looking old men - and led her to the front door. "Just remember old Emile as you make your way in this world. The pop philosophers tell us never to look back, but I find that a quick glance over the path I've taken so far helps me to keep my bearings." He smiled, patted her on the back, and then pointed. "Head that way, take your first left, and you'll find the rue Dauphine. You should be able to find your way from there." "M. Charbonneaux, I... " said Juri, and then she trailed off. I what? What was there to say in a situation like this? This man had found a peace that her Charbonneaux, brilliant and tortured, had never managed to find. Was this some kind of an omen? An indication that she could have ended up like the one she knew, but now she had a chance to find the kind of peace and longevity this one had? Only she didn't believe in omens, did she? Emile smiled. "Au revoir, Mademoiselle Juri," he said, and closed the door behind her. Feeling slightly dazed, Juri followed his directions, and before long she was in the Place Dauphine. She went to the brasserie where she and Kaitlyn had eaten their first meal in Paris, had a glass of water, and then walked to the Ile Saint-Louis. Kate was already back, showered and changed when she arrived back in Room 2305; she looked up from her book as Juri entered and smiled as widely the redhead had ever seen her. "In-interesting ch-change," she said. "G-g-guess what?" "What?" Juri replied. "M. Ch-Chalfant made the f-f-final s-selections t-today. My p-p-piano sonata is g-g-going to be one of the m-main s-solo perf-formances t-tomorrow!" "Really! Well, congratulations," said Juri. "That's wonderful." Kate beamed. "I c-c-can't w-wait to tell M-Miki," she said. Then she noticed Juri's oblong burden and inquired, "W-what's in the b-b-box?" "I've just had a very odd afternoon," said Juri, and she sat down on her bed and told Kaitlyn all about it. "Mmmm," said Kate thoughtfully. "Th-that must feel r-r-really surreal. I'll unders-s-stand if you'd r-rather lay l-l-low t-tonight." "No, no, not at all," said Juri. "I'm all right, I was just a bit... stunned, I guess the word would be. Of all the people to encounter at random in this city... " She shook her head. "I'll be fine. We have to celebrate your victory over Ragulin! And besides, it's your birthday," she added, smiling. "I can't leave you to wander around alone on your birthday, or keep you cooped up in here. What would you like to do?" "W-well," said Kate, "w-w-we've been in P-Paris for f-five days now and w-we still h-haven't been to the Eiff-f-fel T-Tower. I th-think that's t-technically a c-c-crime." "All right," said Juri, "the Tower it is. But first I have something I want to show you." She picked up the telephone, dialed the front desk, and said, "This is Miss Arisugawa in 2305. Will you please send up my deliveries now? Thank you." Kaitlyn was both embarrassed and pleased at the compact but comprehensive wardrobe Juri had assembled for her over the course of her day's shopping. She repeatedly protested, as Juri had her try everything on and gave her fitting and accessorizing tips, that Juri really shouldn't have gone to so much trouble and expense, but of course the redhead wouldn't hear of it. It was done now, and anyway, what was money for? There was certainly no protest from Kate on the way any of it looked, though; she discovered each new item with delight. When the impromptu fashion show was finished, she put on her favorite of the outfits for the evening. One of the shops Juri had visited had stylish variations on functional sweaters, of combed cotton in various colors that would never have been used in a working environment. The one that had caught Juri's eye, and now Kaitlyn's, was a modified version of a fisherman's sweater. The extremely soft black cotton had been knitted into two variations on the standard vertical cable style, with branching patterns framed between them that were reminiscent of a tree branching up the center and out over the upper torso and shoulders behind the cables. To further accent the impression of the tree, highlights of orange and red were knitted in an almost random distribution that resolved, at a small distance, into leaves on the branches. Around the hem of the sweater, which fell mid-thigh on Kaitlyn, yarn of a soft, pale grey was worked in to provide a "ground" for the tree, reminiscent of snow. Chevrons of the grey and black cotton barred the sleeves. To go with the sweater, Juri had found charcoal grey silken slacks and a matching silk scarf, almost transparent, to knot around Kate's neck and accent the boat neckline of the sweater. She had also found a black-and-orange purse made from an old silk kimono in an accessories shop, and low-heeled character dance shoes; the straps over the tops of Kate's feet were just covered by the hem of the slacks. While Kate admired herself in the closet-door mirror, Juri took a few moments to put the curls back in her hair, and then off they went to the Eiffel Tower. They re-entered the lobby of the Hotel des Deux Iles at around ten-thirty, laughing over some joke shared on the way back from the Metro stop on the Ile de la Cite, when Kaitlyn paused in surprise. A stocky man who looked to be in his early twenties was leaning against the wall next to the elevator, his hands in the pockets of his jeans, pinning back the tails of a long green trenchcoat. His face was obscured by a black fedora hat, since he seemed to be examining the toe of one of his red and black sneakers. He looked up as they entered, and Juri noticed that he resembled Kaitlyn and her brother Corwin a bit. Another brother, perhaps, this one college-aged? But Juri could have sworn she'd heard someone mention that Kaitlyn was the eldest... The man pushed himself away from the wall and marched briskly across the room, a smile breaking out on his open, slightly whiskery face; Kate took a couple of trotting steps and met him, falling into his embrace with a happy little sound. she asked him in Standard, sounding immensely pleased. Juri arched an eyebrow in surprise; Kaitlyn hadn't stuttered at -all- addressing this fellow, whoever he was. "I came to wish my best girl a happy birthday, of course," he replied with a grin. "What else?" She went a little pink and said, "Don't let Mom hear you say that." Then she turned to indicate Juri. "Dad, this is my friend Juri Arisugawa. She's Dorothy's roommate back at WPI, and used to go to Utena's old school. J-Juri, th-this is my f-f-father." "Ben Hutchins," said he, offering a hand. "Most people call me Gryphon, but you don't have to if you don't want. I'm not militant about it," he added, grinning. "Charmed," said Juri, shaking the offered hand. This man was Kaitlyn's father? He looked, at most, five years older. But hadn't someone - Dorothy, maybe? - mentioned something about extended lifespans in Kaitlyn's family? She couldn't remember for certain, but she had the impression that the family name was a fairly prominent one here in this world. She would have to do more research. "Did you guys just eat?" Gryphon asked. Informed that they had, he shook his head. "Just the luck. Ah, well. Is there someplace around here I can buy you a drink at, anyway? I think you're old enough for it now, in France anyway - if you want one." Kate didn't have the heart to tell him she'd already had her inaugural drink, both unofficially (at the Brasserie Dauphine on Sunday night) and officially (in the Jules Verne restaurant on the second level of the Eiffel Tower, just now). Instead she smiled and said she thought the Brasserie Dauphine was probably still open. "I'll let you two have some time to yourselves," said Juri. "It was nice meeting you, Mr. Hutchins." Gryphon winced. "Are all your friends going to insist on calling me that, Kate?" he wondered. "Probably," Kate told him. In his 431 years of life to date, Benjamin Hutchins had learned a great many languages. Some of them he had learned out of practical necessity: Salusian, for example, the better to communicate with the WDF's oldest and staunchest allies. Others he had learned for the sake of convenience, like Vulcan (a common language of learning, especially in starship engineering and warp propulsion circles). Still others he had picked up just by whim, because he enjoyed languages and collected them like some people collected hats or coins - what other reason could anyone have for learning Esperanto? Somehow, though, in all his years of linguistic pursuit, he had missed out French. It was very possibly the only Earth language he didn't know, but his ignorance of it was profound. He could pronounce place names passably, so he wasn't a complete Ugly American ("Pardon-ez moy, monsoor - how can I get to the Aisle dee la City from here? Do I have to take the Champs Ulysses?"), but ordering in a brasserie was a bit beyond him, so Kate took care of that. The three inspectors from the Quai des Orfevres were in their usual booth, and raised their glasses in cheerful greeting as Kate entered. Marcel Janvier bustled over - like all good publicans he was an expert bustler - and though he was a bit disappointed that Kate had already eaten and hadn't brought with her the most charming Miss Juri, he at least prevailed upon her to take a bottle of Beaujolais as a birthday gift ("It is perhaps not the world's most sophisticated wine, but it is very accessible"). Gryphon let her order, and before long he was nibbling at bits of fried mozzarella and smiling nostalgically at his eldest daughter over a pint of the establishment's own dark beer. "So," he said. "How are things going? Good conference this year?" Kate nodded. "Yeah, it's been great. The usual wrangles with Ragulin and his bunch from the Ecole Musico-Pretentious, but nothing too bad." She grinned broadly and added, "M. Chalfant picked Sonata No. 14 in G to be one of the main solo performances for tomorrow!" "That's great!" said Gryphon, beaming. He jumped up from his seat, rounded the table and caught her up in a hug, right there in the brasserie. "Congratulations! You'll be playing it yourself?" "Mm-hmm," she said. "It'll be the world premiere. Although... " She glanced at the upright piano in the corner and smiled. she inquired in French. the patron replied from behind his counter. said Janvier with a smile. Kate went to it, noting that if nobody played it, at least Janvier or Madame Janvier kept it clean. The keycover was shining and dustless as Kaitlyn slid it back and bared the keyboard. She settled herself behind the keys, composed herself for a moment, and then began to play. The sonata was twenty-two minutes long and composed of three parts: a light, sparkly allegro; a somber, gloomy, but hopeful-feeling adagio; and a furious, striving presto that thundered like a freight train toward a glorious release. To Gryphon, the whole thing sounded a bit like what his life from 1991 to 2388 would have sounded like if it had been compressed into a twenty-two-minute piano sonata; which was, in fact, the basic idea. Applause broke out as Kaitlyn finished, slightly flushed, and closed down the piano again; plump, smiling Madame Janvier came out from the kitchen to join in with her husband and the three detectives from the Quai, who were all on their feet. Now she blushed outright, but took a bow anyway, then waved off their continued applause with an abashed smile and went back to the table where her father, too, stood clapping. "Enough, enough," she said, gesturing him back into his seat as she took her own. Just then Madame Janvier brought him his steak and fussed about about how proud he must be of his beautiful and talented daughter, who would no doubt go far. He assured the good lady as best he could, using that freshly-embarrassed daughter as translator, that he was indeed just as proud as he could be. "It's funny," Kaitlyn observed, taking a drink of her beer and savoring the rich, dark bitterness. "I can perform in front of a crowd of hundreds without turning a hair - get up there and play, and sing, and jump around with the Art of Noise - and it never bothers me, but an intimate little gathering like this... " "Oh, well, back to work," grumbled Superintendent Marquette as he got to his feet. "Come on, boys. 20 Masks won't catch himself. On your feet, Lucas." "Slave driver," complained Sergeant Lucas good-naturedly. "Do you think we should stand for this treatment, La Fontaine?" Dark-eyed La Fontaine smiled sardonically at her slightly chubby colleague and replied, "I think Janvier ought to hire the young lady, so we can have entertainment of that caliber in here every night." When they had gone, Gryphon smiled across the table at Kaitlyn and said, "So you're enjoying your trip?" "Immensely," Kate replied. "The conference has been going well, and Juri... " She paused, fumbling for an explanation that wouldn't take all night. "I really like her, Dad," she said after a few moments' thought. "I mean... as more than just a friend. You know what I mean?" Gryphon grinned gently. Back at Christmastime, when Kate and her roommate had taken to sleeping together, he had wondered to his daughter about the nature of that interaction - not out of concern, merely curiosity, wondering how they stood and whether he ought to show a bit more discretion in their presence. She'd told him it wasn't as it appeared, because Utena wasn't into that sort of thing - that they were very, very close in many ways, but not sexually. It had come out in the conversation that ensued, though, that Kate thought she herself probably would be interested, if the right girl came along. It was hypothetical, since that girl -hadn't- come along so far, but... Her father, for his part, hadn't been upset, or even particularly shocked. Once upon a time, when he'd been her age, he might've been - rural Maine in the twentieth century wasn't the best of places place to get a cosmopolitan view of the world's variations on a theme - but that had been before the Wedge and the hundreds of years of eye-opening life that had come with it. So he'd just told her to tread carefully and try to be as sure as she could before taking any great plunges that she was doing the right thing for her, and to bring her troubles to him if she had any, so that he could do whatever he could to help. "I know," he said, nodding. Then, wryly, he added, "I once met a redhead who had that effect on me, too." Kaitlyn chuckled a bit at that, though her eyes were still serious as she went on, "I don't know if she'd be interested, though. I don't know her well enough yet to... to ask about that kind of thing. But maybe. I think Utena said once that Juri had a girlfriend, back where they came from, or maybe it was just that she wanted one. I can't remember exactly how it went. That was back before Christmas, and I was... paying more attention to what Utena was saying about herself. I didn't think I'd -meet- the other people she was talking about." She sighed. "Anyway... if that was true... then maybe... maybe I have a chance. What do you think?" "I think it's best if you don't fret," he said, reaching across the table to pat her hand. "Or rush. You've got a long time ahead of you for that kind of thing to work itself out." Kate smiled. "I know. I just... well, I'm not -lonely-, exactly. I have a lot of friends, really good friends... and Utena's the best friend and the best roommate in the universe. But... " She reddened a little. "I... " Gryphon chuckled. "I know what you're trying to say. But that's the sort of thing that's better left to develop on its own, rather than trying to engineer it. Trust me. Just... let it ride. It's better spontaneous - but unhurried, too," he added with a rather sly grin. "Hadn't you and Mom known each other for something like a week?" Kate asked dryly. "That -was- very spontaneous," Gryphon admitted with mock chagrin, "but I'll have you know there was no hurry," he added with equally mock indignation. "Why, we wasted most of a day on it." That broke them up laughing, and as he polished his bar, the patron smiled. He had no idea what they were talking about, but it was good to see a father and daughter so close as that, whatever the topic. The fellow was young-looking, but what else could he be but her father, the way he looked at her? Marcel Janvier had three daughters himself. He knew. "Seriously, hon," said Gryphon when they'd finished. "I know this is going to sound as stupid to you as it did to me when -my- father said it, long ago when dinosaurs ruled the Earth, but... " He paused, then went on slowly, halting now and again to corral his thoughts for the next bit. Kaitlyn finished her beer and waited patiently - she knew better than most how hard it could be to line your thoughts up and push them out across your tongue, after all - as he said, "If it's a thing that ought to be, then it'll work out. Don't try to force it. Just... just be the best friend you can, and if you have an opportunity to... to let it be known that you wouldn't mind being more than that, then... let it be known and see what happens. It might work and it might not, but at least then you'll know... and if it doesn't, then that's not the end of everything." He grinned sheepishly, ran his hand back across his hair, and went on, "Listen to me, I sound like I'm reading out of a book. 'How To Give Your Kids "The Talk"' or some such foolishness." Kate nodded. "Mm-hmm." Then she reached across the table and took his free hand, smiling. "But I understand what you're trying to say, and I appreciate it." "I just... I want you to be happy, Kate, however you can," Gryphon told her, looking as serious as she'd ever seen him. "I worry that... your... " This part was very hard; he slowed almost to a crawl. "Your... past experiences... will... will tarnish what comes after them. You know? There's a lot of joy to be had in this world, if you can dodge the rocks. I'm... " He sighed, and suddenly the words rushed out of him as though the sigh had dislodged the obstruction that had held them back. "I'm torn, Kaitlyn. I want you to be careful, because it'd kill me if anything like that happened to you again, but at the same time I don't want you to be -paranoid-, because if you are you'll cheat yourself out of the joy that life can bring if you're open to it. Part of me wants to be the sort of black-comedy father who guards his daughter like a bank vault, screening her friends like they're applying for a job in data security... but the rest of me knows that you have to live your own life, and trying to protect you that way would only make you hate me. I try to stay out of your way and then I worry I'm neglecting you. I try to watch over you and then I worry I'm crowding you." He shook his head. "Now I'm not making any sense." He offered her a wry grin and said in mock complaint, "Man, this parent thing is -hard-." Kate chuckled and squeezed his hand. "I understand, Dad. Really. I do. And I want you to know that I'm -not- going to let what happened to me poison the rest of my life." She met his eyes, steady and smiling. "I'm not very bold," she said, "and that's both an advantage and a disadvantage. But I get by, Dad. I have a lot of good friends, people who are there for me, to help me dodge the rocks, as you put it. I have the Federation, I have Utena, I have Corwin, I have Marty and Eiko and Mom... and I have my father, who loves me and frets about me and wants me to be happy." She got partway up, leaned across the table, and kissed his cheek. "And I love him for it all." Gryphon smiled, looking like he was about to get a little teary-eyed; then he got up, paid the check, and left the Brasserie Dauphine with his arm around his daughter's shoulders. He walked her to the door of the Hotel des Deux Iles in comfortable silence, and then, on the sidewalk outside, hugged and kissed her goodbye. "Good luck tomorrow," he said. "Wish I could be there, and your Mom too. Oh - I almost forgot," he added, looking rueful. He reached into the pocket of his coat and took out a small box, then handed it to her. "These are for you." Kate took the box and opened it in the pool of golden light cast by the hotel's front lamp, then made a delighted little sound. Inside was a pair of earrings, little silver maple leaves perhaps the size of a dime. "I know how much you like Canada," her father said, "and even though you already got your big present, I couldn't come and see you empty-handed on your birthday." Kaitlyn balanced the box in her hand and put on first one of the earrings, then the other; then she tucked the box into her pocket and hugged her father again. "Thank you," she murmured. "Thanks for everything. I love you, Dad." "I love you too, Kate," he replied. "Happy birthday." When they parted, both smiling and a little misty-eyed, he patted her shoulder and said, "Boy, those go well with that sweater. Did you pick it out?" "No... Juri kind of bought me a wardrobe for my birthday. She's got a lot of style, and I guess she decided I needed some fancier clothes." She ran her hands down the sleeves and smiled. "It's all nice, but this is my favorite piece." "It's beautiful," said Gryphon, nodding. "I guess she must like you a -little- if she gave you something like that," he added with a sly grin. Kate reddened a little and whacked him in the shoulder. He took the opportunity to hug her once more, then said, "Well... good night, hon. And... good luck - in whatever you do." She grinned, patted his hand on her shoulder, and then turned and went into the hotel. Gryphon stood for a moment on the misty sidewalk, then walked away up the rue Saint-Louis-en-l'Ile, whistling "Harlem Nocturne". Kate got back to Room 2305 humming, for some reason, exactly the same tune. Juri, who was sitting on her bed with her shoes off watching the late news on TV, smiled as she entered. "Those are pretty earrings," she said, reverting back to Gaulish now that they were alone. "Last-minute present from your father?" "Mm," said Kate. She put the Beaujolais on the table, then paused in front of the closet-door mirror to admire herself. Kaitlyn wasn't the neurotic sort of girl who was convinced she was ugly when she wasn't - she was comfortable in her skin, behind her face - but it wasn't all that often that she felt particularly pretty either. Tonight, though, tonight she did, in these clothes, in this place, and the earrings and the chilled pink of her cheeks added just the right final touches. She tried to freeze the image in her mind: portrait of the artist on her sixteenth birthday. "Is he coming to the concert tomorrow?" Juri inquired. "N-no," said Kate as she sat down to take off her shoes. "It's invit-t-tation only, and IRC-c-c-CAM d-d-doesn't invite p-p-people outside the m-m-musical c-community, except for the p-participants' g-g-guests." "That's a shame," Juri mused. "He w-w-wouldn't l-like it anyw-w-way," said Kate lightly. She got a set of her pajamas out of the top drawer of the bureau and went into the bathroom, then emerged a bit later with her earrings in their box, her good clothes neatly arranged on a hanger, and the pajamas on her body in their place. "D-Dad's kind of o-old- f-f-fashioned," she went on, as though she hadn't interrupted herself to change. "All th-this n-newfangled exp-perimental music... " She shook her head with an indulgent smile. "He'd be m-m-miserable r-right up until m-m-my t-turn, and I'm on l-last." Kate hung her clothes in the closet, then went to the little table in the corner, picked up her pocketful of change, and hunted a few small bills out of her wallet. "I'm g-g-going to get a s-s-soda," said Kate. "You w-w-want anyth-thing?" "Mm... I am a little thirsty. A Diet Hassy, if you please." "S-sure. N-no p-p-problem." She dropped the change and small bills into her pajama pocket. "B-be right b-back." Kate padded out into the pleasantly decorated, wainscoted, carpeted hall and set off on her mission. Since their arrival, Juri had been handling the ice duties on this trip, so Kate hadn't been to the vending machines so far. Usually, they were at the end of the hall, so she headed that way, anticipating an easy victory. Whistling cheerfully, she rounded the corner at the corridor's end, then stopped. Before her stood an ice machine, rumbling happily away, but nothing more. There was no soda machine, nor was there a vacant space where one could have been. Confused, she retraced her steps back to the elevator, then paced up and down the empty hallway on the opposite side. Still no soda machine. She started back toward the ice machine (driven by the same urge that prompts a person to look for the keys where they -ought- to be for a sixth time), but stopped upon discovering a sign that she had previously failed to notice. Mounted on the wall opposite the elevators, the sign proclaimed, "DISTRIBUTEUR AUTOMATIQUE: 25e ETAGE." OK, thought Kaitlyn to herself as she called for an elevator, the hotel can't afford a vending machine on every floor. Whatever... When the elevator doors opened, Kaitlyn stepped inside. After a brief smile and nod to the elderly couple that were already there, she pressed "25". The elevator whirred for a few moments, and then opened to reveal a hallway identical to the one she had come from except for the color; the 23rd floor was cream and coral, while the 25th was cream and teal. As promised, there was a vending machine. However, the red lights next to both blue-and-silver Hassy buttons and the single silver-and-white Hassy Diete button made it clear that nothing was to be gained by inserting coins. Kaitlyn let out a growl of annoyance and returned to the elevator. She rode in solitude up to the 27th floor, where she found another machine. This one was a newer model, sporting an image of a can bearing the "I am a beverage of class and dignity" script-font logo, rather than the "I am the beverage of the future" block-font logo discontinued the previous year. This year's vending machines incorporated newly-designed Bait and Switch technology - that is to say, they didn't inform Kaitlyn that both of her desired products were sold out until -after- she inserted her money and pressed the buttons. The non-functional coin return was a nice added touch. Kate tried out a French expletive that she had learned but never had occasion to employ, and grudgingly accepted a can of Moon Mist as a consolation prize. She then stormed back to the elevator. She was unable to access the 29th floor, since it required a key, so instead she ventured down to the 21st floor. As the doors closed behind her, Kaitlyn stared icily at the sign which faced her: GLACE: 23e ETAGE DISTRIBUTEUR AUTOMATIQUE: 19e ETAGE Sure enough, a quick glance down the hallway confirmed that the 21st floor had no equipment whatsoever in the (nominal) vending area. "W-what a w-w-way to r-run a railr-road," Kaitlyn muttered. The 19th floor had a soda machine, and cheerfully dispensed a can of Hassy, but was sold out of Juri's preferred beverage. Kate briefly considered just getting another Hassy - it's not as if Juri really -needed- the added benefit of a diet beverage - but discarded the idea. She had promised to come back with a Diet Hassy, and that's what she was going to do. Now, it was a matter of honor. The machine on the 15th floor sat dark and powerless. Kaitlyn's next strategy was to bypass the 10th floor (l'Hotel des Deux Iles being one of those places that refused to admit it had a 13th floor), and sneak up on the unsuspecting beverages from below. She went all the way down to the 2nd floor (the 1st being listed on the button as "C", whatever that stood for), but was greeted by another sold-out machine. The one on the 6th floor looked entirely normal, but would respond to no provocation - at least the coin return worked. The 10th floor was another "no ice, no soda, no anything" floor, and backtracking to the 8th only turned up a machine whose display bore the ominous message "PORTE SVC". If the family of American tourists making their way up to the 26th floor was unnerved by the barefoot, scowling girl in the very loud pajamas holding two soda cans under her right arm as she muttered and waved indecisively over the button panel with her left hand, they hid it well. It was on the 17th floor that Kaitlyn finally found a machine containing (and willing to part with) Juri's preferred beverage. She purchased two, as well as a second Hassy Cola for herself. At least she wouldn't have to go through this ordeal a second time. The extras could go into the ice chest... and at this point, she knew exactly where to go to get ice. "There must be a story here," said Juri dryly as Kate entered room 2305, unloaded her pyramidal stack of beverage cans, and picked up the ice chest. "Nnnrrgghh," said Kate, and she went back out after the ice. Juri looked after her for a moment with a bemused expression, then smiled and cracked open one of the Diet Hassys. Kate returned in a slightly better mood, the ice machine not having put up a fight, and told Juri about her ordeal. Just as she finished, the telephone rang. Both glanced at the clock, confirmed that it was midnight, and then looked with almost identical puzzled expressions at the phone; then Juri answered it and discovered that it was Utena, calling from Worcester (where it was only 6 PM) with birthday greetings for Kate. She knew, as most of them did back there, that since Kate didn't have to get up until noon Paris time on Friday, she would still be awake now. Kate chatted with her roommate for a few minutes, then Corwin (what was -he- doing at WPI on a Thursday night? Kate resolved to investigate further when she returned home, since he wasn't volunteering and she didn't feel like breaking up the mood by asking). Then she received greetings from everybody who could be rounded up at WPI as the phone was passed around on that end. Shortly thereafter, Aunt Bell called from Tomodachi, and another round of well-wishes came from the Norse branch of the family. Not long after -that-, it was the turn of Kate's mother and her siblings back in New Avalon, with Marty and Eiko Rose elbowing their way onto the line near the end of the call. Things finally quieted down around 1. Juri found a Maigret movie on the Classic Film Network; they played a few hands of belote decouverte (a popular French card game) and talked about the week. Finally, at around 3, they turned out the lights, shut off the TV, and settled down in the soft, homey, mismatched quilts of their creaky iron beds and went to sleep. As she drifted off, Kaitlyn reflected that she'd have to dig back pretty deep to find a better birthday than this had been. As good, maybe, but better? That would take some doing. Halfway to unconsciousness, she turned over in her cocoon of covers, tucked Seven a little more firmly against her chest, and looked across the gap between the beds at Juri. The elder girl didn't curl up when she first went to sleep; she lay on her back with her head tipped back on the pillows, face turned up to the ceiling, her arms along her sides outside the covers. Kate regarded her profile for a few moments in the dim glow of the lights of Paris filtering through the curtains, watched the patchwork of her quilt rise and fall with her breathing. Some people, even rather mature, serious people like Juri tended to be, become children when asleep. Kaitlyn had seen the phenomenon on the face of Amanda Dessler, who was often serious to the point of appearing almost humorless: when Amanda slept, her visage acquired a sort of innocent timelessness that gave her a little-girl air. Kate's own mother, an honorary Valkyrie and a veteran of countless battles and three childbirths, looked as innocent, carefree, and helpless as a newborn in her sleep. Juri, on the other hand, looked like Juri, only asleep. She had the same perfect, unruffled composure in sleep that she had in wakefulness, the same slightly distant and slightly awesome aspect. There was no vulnerability in it, only a sort of cool remove, like a statue of a goddess in repose. Kate felt a rather silly urge to get up, go over there, and kiss that composed and lovely face and that slim, inviting throat; to smash that shell of remoteness and reserve and taste the warm, vibrant human being she sometimes glimpsed within it; to run her hands along the smoothness of Juri's skin, hold the redhead in her arms, and tell her all the secrets in the world... ... But if she kept thinking -that- way, she'd -never- get to sleep, and she had a big day tomorrow. So she turned over again, exchanging that view for the blankness of the bathroom wall, and sighed the sigh of a girl who knows, or thinks she knows, that she's contending in the wrong weight class. The lyrics to a new song were wandering through her brain as she shut it down. Kate rose at noon, dressed in her gray suit, put on her maple-leaf earrings, and left the Hotel des Deux Iles carrying the smaller of her two bags. Juri had nothing to do with herself until seven that night, when the International Conference of Modern Composers' closing ceremonies began at the Centre Pompidou. Well, almost nothing. Once Kate had gone, the redhead spent a few minutes examining her invitation to the concert and reception, surveyed her formalwear options, and decided they could be improved upon. She arrived at the Centre Pompidou at six-forty, and since she was a bit early, she took the time to stand outside, across the street, and... well, -admire- wasn't really the right word. The Centre Georges Pompidou was perhaps the ugliest building Juri had ever seen, so comically hideous that she couldn't quite believe the architects had really meant for it to look like that. To Juri, it looked more or less like a warehouse that the construction crew had walked away from when they'd about half finished it. It was a long, low box covered with metal-tube scaffolding and exposed support beams and sporting a rather incongruous canopied escalator running up one of its sides. This had apparently been a bold architectural statement of some kind in the 1970s, when the building was raised; and now, of course, it was An Historic Cultural Icon, and so couldn't be pulled down no matter -how- much of an eyesore it was. Reflecting that perhaps it did indeed take all kinds to make a world, Juri entered the building (which had the same ragtag, deliberately half-finished feel on the -inside-) and found her way to the underground auditorium. Upon surveying the other guests gathered there, she decided she had made the right decision in mounting a new-formalwear expedition. The thousand or so people present ranged quite widely, from the affectedly disaffected youths in black leather and duct tape (who were constantly talking in tiredly disgusted tones about the bourgeoisie), to the more traditional symphony-types in black tie and tails, the women in frilly, bustly, ruffly dresses as elaborately constructed as public-works projects, dripping with conspicuous jewels. In her simple, broad-strapped, low-necked, wasp-waisted gown of cream-colored satin, elbow-length matching gloves, and a string of unembellished pearls, Juri prowled among them with a very faint and self-satisfied smile. She was elegant but understated, somehow managing to make the antiformal proles and the overdressed bourgeois look equally trashy when compared alongside her. Monsieur Carl Chalfant, a very boring middle-aged man wearing a tuxedo and a shirt so stiffly starched it almost looked like it might crack if he bent down, welcomed all to the sixty-seventh annual Conference Internationale des Modernes Compositeurs. A program of ten musical compositions representing what he described as "the very best that the finest modern composers and performers in the civilized galaxy have to offer" followed his interminable opening remarks. Of the first nine pieces played, Juri enjoyed five, was interested by but didn't enjoy one (an extremely intricate all-percussion piece by an ensemble from Granvaal IV, which was technically very intriguing but hurt her ears), was indifferent to two, and completely loathed the ninth. This was the offering of the Ecole Musico-Technologique. Owing to its "extreme complexity" and reliance on "modern recording and signal-combination techniques", it could not be performed live, it had to be played from an optical crystal; the honor of introducing it, cuing it up, and kicking it off went to the lanky, haughty, slightly greasy young man, maybe two or three years older than Juri from the looks of him, who apparently bore only the single name "Ragulin". When Kaitlyn had described her impressions of the Ecole Musico-Technologique's output, Juri had assumed she was exaggerating for comic effect, and possibly also out of a sense of rivalry with this "Ragulin" character. But no; no, it was, if anything, -worse- than Kate had said. It went on for nearly half an hour - various scraping, twanging, whirring noises overlaid one atop another until they blended into something that sounded rather like what Juri imagined a ramjet would sound like if it tried to play the bagpipes, interspersed with utterly random, spasmodic electrodrums and gravelly samples of people saying very dire-sounding things in mixed German and French. When it ended, there was no warning; it merely stopped, as though the crystal had run out of recording capacity in mid-muddle, leaving a deafening, stunned silence in the auditorium. This lasted for perhaps five long, uneasy seconds, after which the black-clad would-be socially-disenfranchised Marxist-anarchists began applauding furiously... all five of them. Everyone else remained silent, their faces fixed in looks that varied from disgust to disbelief to slightly pained social awkwardness, as if they had just witnessed an acquaintance commit a monumental faux pas at a party and didn't know how to react. Ragulin got stiffly up from his seat, retrieved the datacrystal from the playback deck, held it up so that it glittered in the stage lights, and declared loudly, "THIS is the future of Earth's music! Don't you understand? Fifteen thousand years of human cultural evolution has all been leading up to THIS!" "Then may God save the people of the Earth, young man," a gruff voice called anonymously from somewhere in the largest mass of formally-dressed visitors. A laugh made its way around the assembly, in spots uncomfortable, in others hearty. The five youths in black got up and left in a huff, as, with a muttered imprecation about Philistines, did Ragulin. "Er... well," said Monsieur Chalfant uneasily from the podium. "Yes. Well, for those of you whose tastes are somewhat less... shall we say catholic... " "Shall we say 'terrible'," said the waggish voice, drawing another laugh. "... Er... if you please, M. Statler," said Chalfant in a tone somewhere between embarrassed, guiltily amused, and admonitory. "We have one final performance for you this evening, of a somewhat more traditional type. Here from the United States to perform her Sonata for Piano Number 14 in G, please welcome the student director of the Worcester Preparatory Institute Orchestra, Miss Kaitlyn Hutchins." Kate emerged from the wings at stage right, and Juri, sitting in the front row, blinked in surprise. Where had she gotten -that- dress? Juri certainly hadn't bought it for her, but looking at it now, she rather wished she had! Black silk with orange trim, a tight-fitting little bar-buttoned jacket and black roll-cuffed gloves - it was really quite lovely, if in a style Juri found somewhat unusual. She made a mental note to interrogate Kate about it later. Now Kate stepped up to the front of the stage, next to Chalfant, and bowed with her hands clasped before her in a fashion that reminded Juri of home. Then she turned and murmured something to Chalfant, who smiled and addressed the microphone again: "Mademoiselle Kaitlyn has asked me to mention the help she has received in perfecting this piece from her friend, colleague and student deputy at WPI, M. Miki Kaoru, whose responsibilities at the Institute prevented him from attending the Conference." Juri smiled. That was just like Kate, wasn't it, to share credit even when no one would have known the difference if she hadn't? Kate bowed again, then turned and went to the grand piano which stood off to the left (set up out of the way of the Granvaalese drummers, who had needed a lot of space). She sat down, took off her gloves, and laid them on the bench beside her, composed herself for a moment, and then began to play. Being a friend of Miki, Juri had heard solo piano compositions many, many times in her life. She didn't know much about musical theory or structure, but nevertheless, she thought she could recognize the flavor of his touch in a few places in the piece Kaitlyn played that night, seamlessly fused with the brown-haired girl's own distinctive style. The thought that, after only a few days or hours or -minutes- of acquaintance (hadn't Utena said he'd started helping Kate with one of her compositions the very day, the very -hour- the two had met?), music could produce such a blending of arts, of... of -souls- made Juri stop and think for a moment about the power that this medium held. The piano could bring two people together so closely that their voices became one; or it could, she knew from Miki's own history, make enemies of a brother and his sister. What a tremendous power... She abandoned that train of thought, settled back in her seat, and listened to the music rather than dwelling on the stories behind it. It seemed to tell a story itself, one of damaged happiness reforged in the fires of a great trial - that was a rather fanciful interpretation, perhaps, but that was the way it made Juri feel. She wondered, as Kate finished the towering crescendo that led to the piece's climax, if the pianist had written it before or after learning Utena's story. If after, then it was a bold bit of prediction, wasn't it? Kaitlyn as seeress, truthsaying the future with a piano instead of a crystal ball? The applause when Kaitlyn finished was rather more immediate and heartfelt than that which had followed her piece's predecessor, and when she stood to take her bow, she was flushed with triumph, like a runner who has just won a race. For her (and for Miki, unknowing and thousands of miles away), Juri stood up, bringing the room with her, and made her appreciation known - of the music itself, and of all the thoughts and insights that it had caused to race across her mind while it played. They ditched the post-concert reception as early as was even vaguely decent, with sly smiles and silent conspiracy, and ate their own celebratory dinner at Fouquet's on the Champs-Elysees. Kaitlyn was buoyant to the point of nearly floating away, what with the success of her performance, the compliment she'd received on Aunt Bell's dress from Juri, and the way -Juri- looked herself - oh my! Dinner at the historic, elegant, and very expensive restaurant after such an occasion felt almost like a date, even if she hadn't asked and Juri hadn't answered the question that kept rattling around in the back of Kate's head. Yes, even without that, Kate felt a bursting sort of pride that this lovely, sophisticated creature would be willing to be seen in a place like this with her, would talk to her, laugh with her, congratulate her on her moral victory over the forces of cacophony. "How did Ragulin end up on the selection committee, anyway?" Juri wondered as they waited for their soup. "H-he's the s-s-senior at-t-tendee from the E-Ecole," said Kate. "A c-couple of IRCAM's d-d-directors take the Ecole s-seriously enough to k-keep inv-viting them, and R-Ragulin's their b-b-bright young s-star. A 't-true visionary', they c-call him." "He can't be much older than we are." "H-he isn't," Kate confirmed, nodding. "I th-think he's a s-soph-phomore in c-college. B-but the Ecole and p-parts of IRCAM th-think he's a r-r-real p-prodigy, so... " Kate shrugged. "M. Ch-Chalfant and Mr. St-Statler - h-he's the c-c-conductor of the B-Boston Pops, a d-dear man b-b-but a bit on the c-c-crusty side - " "He was the one who was heckling Ragulin?" "Mm-hmm," said Kate. "H-he and Ragulin r-r-really dislike each oth-ther. It's k-kind of f-funny. A-anyway, he and M. Chalf-fant are alw-ways on the c-committee, and b-between them they b-balance out Ragulin. He's r-r-really n-not so b-bad, anyway. K-kind of a p-p-prick, but I g-get the f-feeling he m-m-might g-grow out of it, if s-somebody t-tied him to a ch-chair and made him l-listen to g-g-GOOD m-music for a f-few weeks." Juri laughed. "A service to all mankind," she said. Their conversation left the politics of IRCAM behind after that. They ate, and drank wine, and talked - of Juri's days in Paris while Kate worked at the conference, of their evenings together sampling the city, and of their plans and hopes for the upcoming school term. Kaitlyn asked where Juri was planning to spend the summer holidays. Juri, surprised, replied that she hadn't even considered that yet, but that she might get an apartment there in town, or perhaps in New Avalon - the city of which she was a citizen, but which she had never yet seen. Kate smiled at that and said that she and Utena would certainly be glad if she lived close by through the summer; Utena, of course, would be staying with her at her father's house. This prompted Juri to remark that she'd welcome the opportunity to speak at greater length with Kate's father, at some time when she wouldn't be intruding on a special occasion. Did she understand correctly that the man was over four hundred years old? Indeed she did, and the explanation of that took much of the rest of the meal. They finished dessert, settled the bill without examining it too closely, and left the restaurant almost arm in arm. The night was much warmer than the evening before, unseasonably so, as they strolled side by side down the broad sidewalk of the Champs-Elysees toward the Place de la Concorde in their formal gowns of satin and silk, the redhead in cream and the brunette in black and orange. "Where did you get that dress?" Juri inquired quietly, smiling privately as she did so at the sight of a young man in a waiter's white waistcoat nearly tripping over a cafe-side curbstone as he tried to watch them while still performing his duties. "Aunt B-Bell m-m-made it for m-me," Kate replied. Then, her cheeks coloring faintly, she asked, "D-d'you l-l-like it?" Juri nodded. "It's very becoming," she said. "A bit more daring than I'd have expected from you," she added with a slightly indulgent smile, "what with the sides and all." Kate's faint coloring deepened a little. "Y-you sh-should see it w-without the j-jacket. The n-n-neckline on the d-dress itself is ab-bout here," she said, holding a flattened hand at the approximate level of the jacket's second button. Juri raised an eyebrow. "My my," she said. "Though the jacket has its own charms," she went on. "It makes the whole thing a little more exotic than it would be if it were just a gown with a bold neckline. Quirky but charming, very you. Your aunt understands a thing or two about tailoring the style to the wearer." She grinned and pointed discreetly to a gentleman who had just nearly walked into a lamppost. "Even with the jacket -on- you're causing accidents." Kate's little touch of color upgraded itself to a full-on blush; after a few moments, she managed to murmur, "It's y-YOU th-they're l-l-looking at." "Partly," Juri allowed nonchalantly, "but not entirely." In fact, Juri thought she rather envied Kaitlyn, in a way. The brown-haired girl could choose to be striking, or not. She was always pretty, and as she'd demonstrated tonight, with the right dress and a little work she could be considerably more - but she didn't -have- to be. If she wanted to go back to being just pleasant to look at, all she had to do was change - and that gave her more impact when she -did- do herself up as she'd done tonight. But there wasn't really a way of saying that which didn't stand a good chance of being misinterpreted as an insult, so Juri left it unsaid and merely smiled to herself at the thought. For Kaitlyn's part, the lateness of the hour (it was nearly midnight), the emotional and mental efforts of the day, the food and wine, the beauty of the city, and the surprising warmth of the realization that Juri had just complimented her on her looks blended her buoyant mood down to something more like a contented lassitude, and she knew that it was time for bed. They hailed a taxi at the rue du Colisee, one of the funny little black ones. It almost had the flavor of a dream as the cab carried them from the gleaming bustle of the Champs-Elysees to the calm and quiet of the Ile Saint-Louis, and Kate was feeling very warm and sleepy in a deeply satisfied kind of way as they rode the elevator to the twenty-third floor. Still, after changing to her pajamas and brushing her teeth, she did manage to stay awake long enough to murmur in the darkness, "J-Juri?" "Mm?" Juri replied. Kate turned over to face her and smiled drowsily through the darkness across the gap between the beds. "Th-thank you for c-c-coming," she said. "It's... i-it's m-m-made this t-t-trip... r-really special." Barely visible in the dark, Juri smiled. "You're welcome, Kaitlyn," she said. "S-say... " Kate went on, and then she stopped, half hoping Juri hadn't heard her, half praying that she'd ask - "Yes?" "Are... " Kate paused, her cheeks feeling hot, drowsiness and lingering euphoria drowning away some but not all of her trepidation; then she continued, "A-are we... f-friends?" There was a pause, just long enough to make the first faint tickle of dread - Oh no, I've gone too far, I've asked too much, I've ruined everything - touch Kaitlyn's heart; but then Juri's voice came, and there was still a smile in it: "Yes, Kaitlyn... I believe we are." Relief rushed through Kate like a wave through the pilings of a pier, and knocked away the last props of tension holding her in something like wakefulness. She burrowed a little deeper into her covers, the smile on her sleepy face becoming a little dreamy, and she replied, "Good... I'm glad. Good night, Juri." "Good night, Kaitlyn," said Juri, but Kate was already asleep. Juri smiled and closed her eyes as well. The first time she had ever seen Kate, she had been in that same warm, happy, semiconscious state. Even though she'd only known the girl for a month, the memory made her feel pleasantly nostalgic. ("aw, that's sweet... you brought me a redhead. good night... ") Juri chuckled wryly at herself. Just the random mental wanderings of a sleepy mind, roused from who knew what sorts of pleasant dreams and still half-experiencing them in midstream, of course; it meant nothing. Kind of a shame, really. Ah, well. On Saturday morning, Kate and Juri rose refreshed and energized, put on traveling clothes, and went to the Gare du Nord to catch a EuroMag levitrain to London. They didn't do anything in particular there, just walked around looking at buildings and talking (and getting odd looks from the people in the street until they realized that, out of pure habit, they'd been talking French). they just felt like being able to say that they'd gone. Why not? The train ride through the French and English countrysides (and the Eurotunnel) only took an hour each way, and watching those countrysides whip past at nearly 400 miles an hour was quite an experience all by itself. Though they traveled much more slowly than the suborbital shuttle that brought them to Europe in the first place had gone, it was all so much more -immediate- when you were screaming along six inches above the rails. They got back to Paris at fiveish, just in time to take advantage of the Gare du Nord's location to walk up Montmartre to Sacre Coeur, climb the dome, and enjoy its famous view of the city at nightfall. Then, just for the hell of it - it was a just-for-the- hell-of-it sort of day - they attended the basilica's six o'clock Mass before walking back down the hill and catching the Metro back downtown. On the Ile de la Cite they dined at the Brasserie Dauphine one last time; the Janviers and the three cops from the Special Squad were almost like old friends now, and the parting at the end of the meal was pleasant but a trifle sad. They walked the Quai des Orfevres one last time, too. Juri was struck by how odd it was that something done only two or three times could get to feel like a habit, how something done for the first time less than a week before could already evoke nostalgia, but there it was. They went to Berthillon, the world-famous ice cream shop on the rue Saint-Louis-en-l'Ile not far from their hotel, and indulged themselves shamelessly. Then they just walked at random around central Paris, as they had done in London earlier that day, enjoying the sights and sounds of the city around them and feeling the pleasant but piquant satisfaction that comes in the winding-down phase of a successful vacation. Having decided to stay up all night in order to beat jet lag (since they would be leaving Paris at 6 AM and arriving in Worcester at about 2), they ended up sitting at a cafe in the rue des Ecoles at around one in the morning, drinking strong coffee and watching the students of the Quartier Latin on their weekend missions. Intense young men with sketch pads, pretty girls in combat boots and jeans, brightly decked hipsters of both sexes hurried here and there on their way to who knows what. Presently a couple of girls came in together, the one tall and handsome, raven-haired and Roman-nosed, in jeans and a honey-colored turtleneck sweater, the other a gray-skinned, white-haired, slim and coltish Nebari girl, festooned with bangles and black leather. They took a corner table, held hands, and whispered conspiratorially, giggling and occasionally stealing kisses as they drank tea and read from a textbook propped up on the table in front of them. Juri raised an eyebrow and mused, "Interesting." "Mm?" said Kate, who had been looking down the street at a young man wearing the most remarkably ugly suitjacket she thought she had ever seen in her life. "Those two in the corner," said Juri. "Not very discreet, are they?" Kate looked, then shrugged. "W-why sh-should they b-b-be? They're in P-Paris and in l-l-love." She smiled, sipped her coffee, and added, "I c-c-can't think of a-anything b-better." "I suppose," Juri said. "It's just a bit startling to see, right out in public like that. It wasn't done back home. Men and women, yes, but... " She gave a wry smile and added, "I guess I'm a little shocked." "I th-think it's n-n-nice," said Kate. "M-maybe I'll w-write a song ab-bout them. Two y-young w-w-women in l-love, w-with Paris and th-their whole l-l-lives s-spread out in f-front of them l-like the p-pages of their sh-shared t-t-textbook... " She gestured vaguely. Juri smiled, nodded, filed that fact fragment away somewhere, and finished her coffee in a speculative frame of mind. Then the pair of them went back to their room, changed into their nightclothes, packed their suitcases, and hunted up a movie on TV to kill the remaining time before they would have to leave the Hotel des Deux Iles behind them and make the trek out to de Gaulle and their flight back to the United States. It was two-twelve in the morning, Worcester time, when Kaitlyn and Juri said good night to each other in the hallway on the fourth floor of Morgan Hall. They were too fried by now to dwell much on what a good week it had been, so they merely smiled at each other and let the smiles carry with them all the things they both knew the other wanted to say, then entered their respective rooms on opposite sides of the hall. In both cases, their roommates were asleep, and didn't wake to the sounds of keys in locks and the slashes of light that cut across the floors and were extinguished again by the openings and closings of the doors. Juri put down her suitcases, changed into her nightdress in the dark, and left everything until morning in favor of climbing into bed and going immediately to sleep. Kaitlyn followed almost the same procedure, putting on her pajamas and taking a moment to unpack Seven. Unlike Morgan 413, where the beds were on opposite sides of the room, the beds in Morgan 412 were bunked, and Kaitlyn paused at the base of the ladder to look smilingly into the bottom bunk at the sleeping face of her roommate. Utena was one of those people whose cares and worries all vanished from her face in sleep - not that they tended to ride her all that visibly when she was awake! - and it gave Kaitlyn a distinct and powerful feeling of homecoming to look on that face, faintly lit by the glow from her alarm clock and barred by the lights of the Quad through the Venetian blinds. Paris was beautiful, but this place, this room, this girl - this was home. Kate impulsively leaned down and kissed her roommate's forehead. At the contact, Utena stirred, murmured, and then opened her eyes slowly. Recognizing Kate, she smiled a bit blurrily. "hey," she said, raising a languid hand to brush Kate's face as the standing girl stepped back a bit. "I'm s-sorry," Kate whispered. "I d-didn't m-mean to w-wake you." "'sOK," Utena replied in a sleepy murmur. "how was Paris?" "G-good," said Kate. "I'll t-tell you all ab-b-bout it t-tomorrow." "'K," said Utena. "'sgood to have you home." Kate smiled. "It's g-good to b-be home," she replied. "G-g'night." "'Night," said Utena, who was asleep before Kate reached her top bunk, let alone settled in. Yeah... ... it was good to be home. /* Journey "To Be Alive Again" _Arrival_ */ Eyrie Productions, Unlimited Doin' time where it takes you presents You know it's time that can break you UNDOCUMENTED FEATURES We get caught in the moment FUTURE IMPERFECT Just sleepwalking most of our lives - Symphony of the Sword - In your mind when you need it Entr'acte: The Rose that Blooms With a song to help you believe it in the City of Light You can reinvent your world Anytime you like The Cast To be alive again (in order of appearance) Wakin' up from where you've been Juri Arisugawa Younger now than you were then Kaitlyn Hutchins You're comin' round again Marcel Janvier Do you remember when Superintendent Jules Marquette Life was so much simpler then Emile Charbonneaux Like summer nights that never end Benjamin D. Hutchins To be alive again Eveline Janvier Sergeant Martin Lucas Find the smile you've been missin' Inspector Francoise La Fontaine There's someone that you could Carl Chalfant be kissin' Ragulin So open your eyes and see what's John C. Statler been there all along Utena Tenjou Letting go of your feelings The doubt and fear - you don't need it Visualizer Break the chains on the heart Benjamin D. Hutchins Of a soul that's been waiting so long Resident Juriologist To be alive again Philip J. Moyer Wakin' up from where you've been Younger now than you were then Guy who took French in high school, You're comin' round again hotel soda wrangler Do you remember when? John Trussell Life was so much simpler then Like summer nights that never end Paris research conducted with: To be alive again Travelers' Tales: Paris You're not among the walking edited by James O'Reilly, wounded anymore Larry Habegger, and Sean O'Reilly There's a time to fall There's a time to rise above it all Fodor's Exploring Paris, Fifth Edition, by Fiona Dunlop To be alive again Wakin' up from where you've been Culture Shock! Paris at Your Door Younger now than you were then by Frances Gendlin You're comin' round again Do you remember when? The 2000 Streetwise Map of Paris Life was so much simpler then Like summer nights that never end and the works of Georges Simenon To be alive again Miss Hutchins's wardrobe by (Alive again) Anne Cross (Alive again) (She's been to Paris!) To be alive again Yeah MegaZone's been there too You make me feel alive again (but he didn't like it) To be alive again and of course les Suspects Habituels The Symphony will return